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This is an amazing movie find, especially for a stamp collecting movie nut (which I’m not but I can appreciate the passion).  Sixty pages of  blank squares, each ascribed with the name of a 1920’s – 50’s star, from Academy Award winners to TV stars, “The Young Set”, International stars, World-Famous Women, Animal stars, Shootin’ stars (Western), Symphony stars, Singing stars, Comedians  and every other category that Hollywood could possibly subdivide itself into.

The Screen Stars Photo Album was made in 1955 by the Harlich Manufacturing Co. of  Chicago and approved by the National Poster Stamp Society with “All Rights to Screen Star Stamps and Stamp Albums fully protected by Hollywood Star Stamps, Inc. in cooperation with the Stars, Studios And Motion Picture Relief Fund, Inc.”.

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This is a product worthy of an Oscar for Best Kitsch, a fake wood cardboard stand-up “plaque” that looks suspiciously like the piece of  cardboard that comes with any cheap picture frame, stapled on, staples askew, emblazoned with a cheap gold embossed sticker with three imprints, none of which have anything to do with the Academy Awards other than a trophy atopped with a nude female athlete that kinda sorta is in that Oscar trophy pose.

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All of this is encased in a really cheap brittle plastic enclosure that’s tinted gold to make it look more fancy. The writing on the package slays me.  As if any idiot wouldn’t know to “INSCRIBE IN ALLOTED SPACE YOUR OWN GRAND AWARD WITH ANY BALLPOINT PEN”.   How elegant! And how worthy of ALL CAPS!

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These “Awards for those you Love and Admire” – I guess ALL THREE stickers are Oscar worthy despite the lack of tie-in – were made by Syd Art Novelty Company, Inc. of New York in 1976.

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The Do-It-Yourself Oscar  is “Fun Giving for Gags”.  Then come the words “Sports” and “Occasions.”,  the latter of which somehow also merits a period. Perhaps next time Syd Art could hire an actual writer rather than some family member to create the language for a product that supposedly honors achievements in creativity.

An excellent feature of this is that the price tag is still on and it’s from the Hollywood Magic store, a relic a lot older than this do-it-yourself Oscar that’s still alive and well on Hollywood Boulevard, just down the street from where the real Oscars take place tonight.

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Cheap jewelry is always a popular breeding ground for Kitsch. Kitsch glitz  shines especially bright when designs are made to capitalize on popular trends such as the streaking craze that began in the 1960’s and attained astronomical heights when a peace signing streaker crashed the 1974 Academy Awards blazing behind actor David Niven. From that point on, streaking was  as glorified in all forms of design, from T-shirts to decals to plaster figurines to the kind of tacky finery you see here.

If the people who practiced the sport had incredible bodies it would make for fine spectator fare but usually it’s just some attention starved paunchy dude with a severe “shortcoming”.

Also, most streakers were/are male so curious they chose a female to be immortalized here. So very 1970’s Woman’s Lib.

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Of all the things I have in my house, a 40 year collection of Atomic, Soul and Kitsch memorabilia, this rubber waffle that’s sat out on my kitchen counter since I bought it in the 1980’s is one of the most popular things in the joint. Made by Iwasaki Images of America, the premiere display food manufacturer in the world, this waffle looks so drippingly, syrupy and buttery real even I’m tempted to chomp a bite out of it every now and then.

I also have a huge roast beef, some sushi, a dozen sweet rolls, donuts, a glass of milk, a glass of orange juice and some scrambled eggs. There’s rubber food that looks like it’s made out of rubber and rubber food that looks good enough to eat. No question that Iwasaki serves up the latter.

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I may have sore thumbs but not green ones.  Not an area I have especially great skills in  other than I seem to have a talent for nursing baby Palm trees. Nothing that would fit in this 5″ ceramic planter with the perfect green thumb though.  Instead, seeds drop from two 80-year-old massively high Palm trees at my house and thousands of little baby Palms sprout all over my yard.  They’re faithfully mowed twice a week so they look like the perfect sheared bright green astroturf lawn.

I’ve never heard of a Palm tree lawn before. I’ve seen a lot of green thumb vases too but this one feels as special as my lawn.

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Well, the obvious tunes I would name are “September”, “Boogie Wonderland”, “Neutron Dance”, “What Have I Done to Deserve To This?” and I guess “I’ll Be There for You”. The rest of my favorite tunes are here.  But if I have to credit an early source of inspiration for being in the music business and then becoming a songwriter it would have to be the TV show, “Name That Tune”,  upon which this game is based and which I watched  religiously as a wee nip.

There’s nothing more I like in a game from a Kitsch perspective then if it’s convoluted to play. On the other hand, I love the early  attempt at  injecting multimedia interactivity into it. Made in 1959 by Milton Bradley, you play “Name That Tune” by the player elected to be “Disk Jockey”  spinning the dial three times, calling out the numbers on which the arrows stops each time and then spinning the enclosed 78 on which actual TV host, George De Witt,  introduces himself, calls out a number and “plays” a tune.

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From here on in I don’t understand the instructions. But maybe you do as there’s still a foot of them to go through:

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“Name That Tune” ran from 1953 to 1959 on CBS with De Witt as the most popular host until it came back  from 1974-’81 with Tom Kennedy and later with Jim Lange. The game show became the template for a continuing slate of copycat shows as well as ones that borrow from it heavily including current fare like “Don’t Forget the Lyrics” and “The Singing Bee”.

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Last night was the closing of The First National Tour of my musical, The Color Purple.  I had never written a musical before, hardly ever went to see them.  I’m an all-the-way Pop Culture gal and for me this was a medium from ancient times with way too histrionic sounding songs and singers frozen in time.  I was the least likely person in the world to write a musical but write one I did, with Brenda Russell, Stephen Bray and Marsha Norman. We were nominated for 11 Tony’s.  How we even won one, the brilliant LaChanze for Best Actress, was a miracle in the climate on Broadway. (Don’t get me started on that one…). Beyond being eternally proud of the work, especially the uplifting and joyous effect it had on audiences night after night, the most stunning part of the journey was the family of friends I made through the Broadway run and the ensuing national tour.  Right from the beginning when we started writing Purple in 2001 I always heard that  there’s constant bickering among everyone but we were all really friends.  And I mean everyone, from Alice Walker, the Pulitzer prize winning author of the novel, down through us authors, the cast, director, producers, hair, makeup, wigs, production managers, everyone.  I was always being told by other friends who had written for Broadway that by the end no one would ever talk to each other and that so many writers of so many shows, because the experience takes years and is so intense, never end up  speaking unless they write another show and then it’s just about work. Our case always was and remains different. This is a family that will be together forever, bound by an experience where the piece itself was bigger than any one part. Everyone felt chosen and blessed to be a part of The Color Purple. Fantasia WAS Celie.  Watching that journey of her finding herself through this character was a joy and a privilege. Every cast member, starting with the staggering Felicia P. Fields, Tony nominated for Sofia and the first actor we ever cast in 2003, was not only a triple threat – brilliant singers, actors AND dancers, a rare enough find in one person let alone an entire cast – they were a gift for any artist to have interpret their work.

One of the key lines of the show is when Shug Avery says to Celie, “I think it piss God off if anyone walk past the color purple in a field and not notice it. He say look what I made for you!”   Life is all around us. The blessed ones among us understand that the real gift is fantastic friends, a glorious sky over our heads, birds singin and the fact that we’re here at all. I thank every single person in this photo for a fantastic five years. I look forward to more in another space and time. We all know we’re together always.

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With Gary Griffin, our director, Fantasia and the Celie doll with cornrows and real wardrobe that Hair and Makeup made me after my Sound Of Soul party last week.

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With my co-composers and lyricists, Stephen Bray, Brenda Russell, and Wayne Linsey, who played keyboards on all our original demos for The Color Purple.