Off to host a greatest hits concert at my high school, Mumford, before the wrecking ball knocks down one of the most gorgeous Deco buildings ever ….

(Don’t start me on THAT!)…and the teachers, staff and principal are all let go so kids can walk into the cement block replacement and a wall of new faces over the summer.  So this is going to be a big, fat blowout-sendoff-of-an-affair if I have anything to say about it.  Which I do!

So 6PM. Thurs. night at Mumford. If you live in Detroit, get yourself to the funkiest couple of hours in the city.  You do NOT need to have gone to Mumford to enjoy this. Really, if I do say so myself, there isn’t a corner or mousehole in the world where they don’t know “September”.  It’s a fundraiser for the choir and tickets are only $5!!!

I’ll also be heading over to my father’s high school, Cass, which becomes only the second high school in the country to perform my musical, The Color Purple. Performances are Wed. – Sat.  Ive been waiting for the high school part of TCP since I wrote it so I can’t wait!

The rest of the week is filled with an endless slew of meetings with movers and shakers, large and small, as I feel out a couple of long term projects I want to do in Detroit. There will also be a lot of barbecue and soul food. In anticipation and though it’s not from Detroit, this was lunch from Uncle Andre’s in Studio City, Ca. yesterday:

Usually, I blog endlessly about my exploits in Detroit, but this time I come back to LA just in time to jump into rehearsals for my Allee Willis’ Super Ball Bounce Back Review live show at King King on May 8 & 9.  Im going to try and use this trip to become an interested and dedicated Tweeter, which has felt more like an invasion of my mental state since I signed up soon after the bird launched.  But I’ll be in trouble if I concentrate on blogging and not beefing up for my live show, using my hotel bedroom as a pretend stage and finishing the seemingly endless amounts of special visuals and animations I started getting ready with Alfonso Estrada for the show.

So Bon Voyage as I head for LAX. Listen for the tweety bird (which I’ll probably post the best of here too).  Back in a week. And back with AWMOK.com postings tomorrow when I awake in the Motor City.

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Rehearsals for my May 8 & 9 return to the stage in my Super Ball Bounce Back Review have begun. Given what happened at my last show in October this is very significant!

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Me and Lily are planning our trip to Detroit in April to see the first high school production of my musical, The Color Purple, at her high school, Cass, and my conducting the glee club and marching band at my high school, Mumford. We’re also going to be taking a lot of meetings to figure out something to do in Detroit together permanently.

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I spent most of Wednesday afternoon being photographed and interviewed for “Born in Detroit,” a book by Jenny Risher “celebrating Detroit as a unique place that’s cultivated an extraordinary number of singularly influential people.”

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Other then “Right on!”, there was no more popular phrase in the late 60′s and early 70′s than “Can Ya Dig It?”. Though this patch is missing the ‘?’, which makes it as kitsch as it was hip back in the day. Of course, sewing patches all over your clothes was never excessively hip but here are a couple other ones you may have sewn over holes in your bellbottoms were you of the mind:

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I’m not a lover of dentists. Though I have one I do love now in LA, Dr. James Formaker, I’m still feeling repercussions from a butcher in Beverly Hills who not only put me through two unnecessary surgeries, one of which he didn’t even have conscience enough to check to see if the surgeon had preformed the correct one of – which he hadn’t – and all of which cost me over $25,000 and an even more severe price of walking around with a sore mouth for the last four years. His name is happily provided upon inquiry. But I had  a tooth adventure during my trip to Detroit a few weeks ago that completely restored my faith in these people who dutifully drill in your mouth in search of decay.

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As I’ve been blabbing about for weeks now, I had the extreme pleasure of conducting my high school marching band playing a medley of some of my greatest hits in the lobby of the theater I grew up in in Detroit with the cast of the musical I co-wrote, The Color Purple, singing along. I meant to post video of our performance as soon as I got home but to my horror, one of the three cameramen only shot the students from the back and the other both forgot to turn his camera on for parts of songs and babbled over the footage like he was the subject of a documentary. So it took quite a lot of editing to get something where you could even begin to see the  warm, wonderful and uplifting-higher-than-the-sky feeling that permeated the theater that day.

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Mother’s Day has always provided supreme opportunities for kitsch. Be it flower arrangements, stuffed animal displays in front of gas stations for last minute pick-ups, or greeting cards – store bought and handmade equally qualifying –  Mother’s Day is a kitsch karousel that never ceases to go round.

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Burk’s Igloo in Hamtramck, the once Polish center of Detroit, not only has KILLER ice cream but is famous now for being in the opening titles of HBO’s Hung.

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On April 7 I was the closing keynote speaker at the Rust Belt To Arts Belt III conference in Detroit. Every year the conference takes place in a different city that’s faced with the task of reinventing itself in the ongoing transition from the Industrial Age into the Digital Age and beyond. Loving Detroit and having been in the heat of designing communities since the dawn of the commercial Internet in 1991, I wax on about all this in my speech.

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