Allee Willis Blog » Toni Basil

15Nov 2010

Allee Willis’ Kitsch O’ The Day – 1960’s Music Ring, Famous Songwriters and The Beaver!

15Nov 2010

Allee Willis’ Kitsch O’ The Day – 1960’s Music Ring, Famous Songwriters and The Beaver!

I’m so NOT the type to wear a ring with a G-clef on it or have one of those cheesy license plates like GR8T BEAT. My gold records don’t hang in the living room so they’re the first things you see when you walk in and my clothes aren’t Bedazzled with musical notes. But this ring is so stone cold handtooled 1960s my finger had to have it.

I bought the ring about 10 years ago on eBay from someone in Memphis. I can feel a heavy barbecue-grease-guitar-picking vibe every time I slip it on. It also weighs a ton, quite a surprise as it looked like a cheap plastic gum ball machine prize ring in the photo online. So I end up wearing it a lot. Like I did Saturday night when I went out with my friend, Stan Zimmerman, though the hand I’m holding up in this photo unfortunately isn’t the one my fabulous music ring was on.

As unlikely as I am to have musical notes pasted all over my personal accouterments I’m just as unlikely to show up at a party where singers and songwriters take turns singing their own songs. I’m around music and singing all day; I don’t want to be around music and singing all night. Plus, despite my musical proclivities I don’t play an instrument so the possibility of me even being able to plunk the opening note of one of my songs at a party like this is nil. But there were the ring and I and Stan at a party that featured just that, thrown by voice coach to the stars, Eric Vetro, and songwriter/producer to the stars, Desmond Child. So many of my friends were there though that me, Stan and the ring had a great time despite not participating in the main event.

I go wayyyyyyy back with the first folks I saw, from (L-R) Rick Nowels, Maria Vidal, (me), Toni Basil, and Desmond Child.

Soooooo far back that I was practically in diapers when we met. Desmond and Maria were in a group called Desmond Child & Rouge who, in the mid 1970’s, sang at Reno Sweeney, a cabaret in Manhattan where I was the person who walked around the city by day nailing up fliers of upcoming performances. I saw them sing every night because in addition to my $20 a day salary I got to eat at Reno’s for free. Maria married Rick in the late 80’s. Between me, Desmond and Rick we’ve sold somewhere around 500,000,000 records and have had just about as many great times together. What we all had in common was also Bette Midler, the biggest thing to come out of the New York cabaret scene and the biggest jewel in our show biz clique. Even back in the 70’s Toni Basil was Bette’s choreographer. She was also one of my first friends and collaborators when I moved to LA in 1976. Here were are in 1982 at a party I threw for her when “Mickey” went #1.

Here we are Saturday night with singer Sarah Hudson and X-Factor’s Storm Lee thrown in.

Maria and I also spent a lot of time in a corner chatting with Frances Fisher.

Another friend from my 1970’s NY days at the party Saturday night was Allan Rich, who sang at Catch A Rising Star, the big comedy club where I was the hatcheck girl at the time. Allan got his big break when he was a shoe salesman and gave Barry Manilow a tape of his songs when he sold him some shoes.

I spent a lot of time talking to Michael Orland, the Music Director at American Idol and with whom I’m about to start writing tomorrow.

I’m completely sick of not being able to sing my own songs at parties like this so, just like an American Idol, I’m also going to rehearse a little medley of my hits with Michael so when Eric and Desmond throw this party again next year I can get up and sing instead of chatting through everyone’s songs because so many of my friends are there. Like songwriter extraordinaire, Diane Warren.

But despite how much musical talent was at the party there was clearly one star that shone brighter for me than any other and that was THE BEAVER!!!

Jerry Mathers, The Beaver, who I watched incessantly as a kid…

The same Beaver whose memorabilia I’ve faithfully collected all these years…

The same Beaver who’s going to come over in a few weeks and autograph all that memorabilia!! If I collected memorabilia from anything as recent as Desperate Housewives I would also invite Marc Cherry, seen here waiting for his car with me, Stan and The Beav.

All in all, it was a great night for me, Stan and my funky l’il music ring!

06Jul 2010

Allee Willis’ Kitsch O’ The Day – Cheerleader Wall Plaques, Toni Basil and Dinner at Street

06Jul 2010

Allee Willis’ Kitsch O’ The Day – Cheerleader Wall Plaques, Toni Basil and Dinner at Street

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Whenever I look at these metal cheerleader wall plaques made by Sexton in the 1960’s I think of Toni Basil because you can see how happy these girls are doing their cheers. In 1982, the year that “Oh Mickey you’re so fine, you’re so fine you blow my mind, hey Mickey” was all you could hear on the radio, Toni, singer, choreographer extraordinaire and the woman responsible for making cheerleading ultra cool, and I were best of friends. She was one of my first girlfriends when I moved to LA in 1976 and I’ve always loved my collaborations with her because she’s fearless, decisive and eternally ahead of the curve.

Last night Toni and I got together for the first time in years at the restaurant I co-own, Street. Here we are with Prudence Fenton and Chef Susan Feniger.

We covered a lot of territory, not to mention food. Though we wrote our first song together in 1976 most of what we wrote went on the gold album that included “Mickey” in ’82. Here we are at a party I threw for Toni at my house to present her with a gold record when that song went number 1 in Japan.

One of our songs, “Street Beat”, written with Bruce Roberts, has run through my head at least once a week since we wrote it. This performance of it on The Smothers Brothers Comedy Hour is staggering.

For any of you who may not know it, Toni formed the legendary dance group, The Lockers, street dance pioneers, in 1970. (She also wrote the legendary “Oh Mickey, you’re so fine…” chant but never got credit). So when you see a performance as incredible as “Street Beat” bear in mind that Toni doesn’t just sing it live but did absolutely everything else from choreography to wardrobe.

That same year another one of our collaborations, “Shoppin From A-Z”, also with Bruce Roberts, came out. Just as I was, Toni was a multimedia artist at a time when that wasn’t encouraged in the music industry unless you were a major star. So I always loved collaborating with Toni because she not only encouraged my multi-medianess but pushed me into places I had never been before. Like in the “Shoppin” video where she made me dance.

But now back to 2010 and our dinner at Street.

We started out with my favorite dish at the restaurant, Albacore Sashimi with spicy sesame mayonnaise yuzu ponzu sauce, smoked salt, pink peppercorns and micro wasabi.

I don’t even like pepper but always ask for extra pink peppercorns. This dish is so good it makes me feel like doing a cheer.

Next we had Graskaas Aged Gouda Salad with red endive and watercress, Asian pear, black currant and celery leaves in a juniper walnut vinaigrette,…

… followed by Lamb Kafta Meatballs over warm Syrian cheese wrapped in grape leaf with date and carob molasses on za’atar spicy flatbread,…

…and Tatsutage Fried Chicken marinated with soy, mirin and sake, crispy fried in rice batter and topped with spicy kewpie mayonnaise sauce.

This dish also deserves a cheer.

We also ordered Stir Fried Chinese Brocolli with fresh ginger, garlic and sesame…

…and Thai Rice Noodles with Chinese broccoli, seasoned pork, tomato, mint, Thai basil and chiles.

I forgot to photograph the Massamun Beef Curry because we were too busy talking.

As sure as I love the food at Street not to mention the related-though-it-preceded-it-by-18-years “Street Beat” I’m not gonna let another few years pass before Toni and I get together again.