And now, the  Oscar for Best Motion Picture…. goes to… The Artist!

As I hunkered  down to watch the Oscars yesterday, the first time I had ever watched it alone due to pressing deadlines on my end, I remembered the last time I sat down to watch a global event unfold on TV. It was when Carmageddon was predicted when the 405 freeway had to close for a day in LA last summer. I thought about it a few days before and decided to go through my vast collection of digital images of bad album covers and match them to the demolition/construction events as they occurred in real time. Last night, as soon as I saw Mila Jovovich be the first star to walk down the red carpet…

…I realized I could take the same approach to the Oscars as Carmageddon as the stars continued to arrive:

I pride myself on being a daredevil artist, ready to field any creative challenge thrown down in seconds. So as the Oscars were announced, I gave myself between the time the presenter walked on stage til the moment the winner was announced to scan through close to 5000 images and pick the appropriate stinker LP cover for each category. Here then are The Allee Willis Museum Of Kitsch Oscar winners, in the order I posted them but starting with the after party and  final award, and ending with the stars arriving earlier in the day:

Have fun at the after parties!:

Best Motion Picture:

Best Actress:

Best Actor:

Best Director:

Best Animated Film:

Best Original Screenplay:

Best Original Song:

Best Original Score:

The inevitable speech by the head of the Academy:

Best Supporting Actor:

Best Special Effects:

Best Sound Mixing:

Best Supporting Actress:

Best Foreign Film:

Best Makeup:

Best Costume Design:

Sasha Baron Cohen wasn’t the only one who arrived carrying something:

The actors are looking especially fabulous:

Fashions continue to astound:

The stars are in exquisite fashions:

Congratulations to all the Allee Willis Museum Of Kitsch Oscar winners!

 

italiannette2

An excellent sign of Kitsch is when names are bent and mutated to fit a purpose.  This one’s a perfect blend – The ever-Italian Mouseketeer, Annette, with the perfect name (and flip hairdo) to add that guaranteed-to-be-cheesy ‘ette’ onto the end of something to assure its kitschified status.

Annette Funicello’s embroidered blouse may be as snappy as her fingers but nothing’s knocking me more out than her perfectly painted lips. About 20 years ago I was in a thrift shop. It was pouring rain, perfect conditions to hit the outside bargain area where they’ll practically give away things for free on a rainy day just to not have to deal it after.  There was a canvas lying face down on the ground. There was no chance it was going to be good as even if something fabulous was painted on it it was surely now melted from soaking in the bathtub sized puddles. But lo and behold, when I turned it over I almost melted myself. It was a hand-painted portrait of Annette, nary a hair askew, colors as vibrant as the day her ever-present smile popped out of the womb.  And even better, there was a cut out photo of her lips pasted next to her on the canvas and in large childlike scroll this autograph in lipstick:  “To Tony, Lots of luck to you always! Love, Annette”.

Annette-portrait_2468

This portrait deserves a lot more than a quick mention in a post about something else, even something as great as “Italiannette”. So I merely show it here as evidence that my story above is true as the autographed portrait is deserving of its own Kitsch O’ The Day exploration which will happen someday soon. I think I’m going to put on “Italianette” and enjoy looking at it even more right now.

 

awmok-logo

Running around all day today on about a second of sleep doing final tweaks on the first party celebrating the Grand Opening of The Allee Willis Museum of Kitsch tonight as well as coding my tootsies off on the virtual Museum, the heart of the experience, at AWMoK.com. I hope to open the floodgates online at noon LA time. (Until then, the ‘Coming September 14th’ page with the trailer, press and a few other goodies is still there.) Not sure I’ll make the noon door opening but once it flies open there’s some magnificently supreme kitsch to browse through in The Museum itself and in the Kitschenette wing there are incredibly easy instructions, customized for dummies and people like me who get confused reading directions of any sort, for how to submit your own prize Kitsch. 

AWMoK.com is a mini social network, built to scale up and incorporate more interactivity as more Kitsch is injected into it. Please visit later today or tomorrow and register to become an aKitscionado, another process that I’ve slaved over so it’s pathetically quick and easy. You can browse both The Museum and The Kitschenette but you need to register in order to submit anything or make comments.

Party photos will go up sometime tomorrow and video will follow though not sure when. The parties, tonight and next Monday night, were supposed to be webcast but the DSL at the gallery can’t handle the upload speeds so now it means digitizing six hours of footage from each of the three cameras and editing everything, a far more gruesome process than just letting it stream as it happens. But photos will be up as soon as I wake up tomorrow, which could be God knows what time as I haven’t slept in a week and have to do a lot of press tomorrow. 

Today is also the beginning of a weeklong “What Is Kitsch?” Film Festival on YouTube, eight short films I made on the subject of Kitsch. I’ll be posting the links to these when I upload them. There are two going up today, the introductory film, “What Is Kitsch?”, as well as one that’s about submitting items to The Museum. (When I say submitting items I mean images and descriptions. As much as I’d love to own all the stuff you guys tell me about, The Museum is virtual so photos and not the actual item is what you’ll be contributing.)

I’ve worked on putting The Allee Willis Museum Of Kitsch together online ever since I started my Kitsch O’ The Day blog seven months ago. Integrating virtual and physical spaces is what I’ve dreamed about doing since I stumbled on the Internet in 1991. I hope you enjoy The Allee Willis Museum of Kitsch, The Kitschenette and the eight short films as much as I’ve enjoyed – though sometimes been tortured by! – making them.

Nice story in the LA Times today too.

Running around all day today on about a second of sleep doing final tweaks on the first party celebrating the Grand Opening of The Allee Willis Museum of Kitsch tonight as well as coding my tootsies off on the virtual Museum, the heart of the experience, at AWMoK.com. I hope to open the floodgates online at noon LA time. (Until then, the ‘Coming September 14th’ page with the trailer, press and a few other goodies is still there.) Not sure I’ll make the noon door opening but once it flies open there’s some magnificently supreme kitsch to browse through in The Museum itself and in the Kitschenette wing there are incredibly easy instructions, customized for dummies and people like me who get confused reading directions of any sort, for how to submit your own prize Kitsch. 
AWMoK.com is a mini social network, built to scale up and incorporate more interactivity as more Kitsch is injected into it. Please visit later today or tomorrow and register to become an aKitscionado, another process that I’ve slaved over so it’s pathetically quick and easy. You can browse both The Museum and The Kitschenette but you need to register in order to submit anything or make comments.
Party photos will go up sometime tomorrow and video will follow though not sure when. The parties, tonight and next Monday night, were supposed to be webcast but the DSL at the gallery can’t handle the upload speeds so now it means digitizing six hours of footage from each of the three cameras and editing everything, a far more gruesome process than just letting it stream as it happens. But photos will be up as soon as I wake up tomorrow, which could be God knows what time as I haven’t slept in a week and have to do a lot of press tomorrow. a
Today is also the beginning of a weeklong “What Is Kitsch?” Film Festival on YouTube, eight short films I made on the subject of Kitsch. I’ll be posting the links to these when I upload them. There are two going up today, the introductory film, “What Is Kitsch?”, as well as one that’s about submitting items to The Museum. (When I say submitting items I mean images and descriptions. As much as I’d love to own all the stuff you guys tell me about, The Museum is virtual so photos and not the actual item is what you’ll be contributing.)
I’ve worked on putting The Allee Willis Museum Of Kitsch together online ever since I started my Kitsch O’ The Day blog seven months ago. Integrating virtual and physical spaces is what I’ve dreamed about doing since I stumbled on the Internet in 1991. I hope you enjoy The Allee Willis Museum of Kitsch, The Kitschenette and the eight short films as much as I’ve enjoyed – though sometimes been tortured by! – making them.

Jesus-use-me-LP

With the hairdo on the left looking like the perfect bundt cake, a bulldog in the middle and a bouffanted Jay Leno on the right, what Jesus used was The Faith Tones’ heads to perform some of the most astounding hair artistry in the history of Christian album covers, the Kentucky Derby of cheese championships in the 1960’s and 70’s.

I love that The Faith Tones invested in matching baby blue polyester tops that would go up in flames if a match were within twenty feet of them but stopped short of buying matching blouses or scarves or whatever they’re wearing underneath. I suppose the theory was “no one will notice” and with the indisputably best hairdos of the 20th Century they were almost right.

Although this LP has made the Internet rounds, something so astounding always bears repeating. The Faith Tones and their heavenly follicles have indeed ascended to the throne of Kitsch Klassics!

Witone hairdo looking like the perfect bundt cake and a bouffanted Jay Leno on the right, what Jesus used was The Faith Tones’ heads to perform some of the most astounding hair artistry in the history of Christian album covers, the Kentucky Derby of cheese championships in the 1960’s and 70’s. I love that the Faith Tones invested in matching baby blue polyester tops that would go up in flames if a match were within twenty feet of them but stopped short of buying matching blouses or scarves or whatever they’re wearing underneath. I suppose the theory was “no one will notice” and with the undisputable best hairdos of the 20th Century they almost got it right.

Although this LP has made the Internet rounds something so astounding always bears repeating. The Faith Tones have indeed ascended to the throne of Kitsch Klassicism

karatist-preacher-mike-crain-lp

Man of greased-Beatles-bowl-haircut and beauty-parlor-cape-karate suit chops styrofoam looking concrete blocks in efforts to deliver the mighty message of God. But 14 slices of prime LP cheese in the name of the Lord later, Crane is the real deal, a Preacher and master of Kung-Fu and Karate for 45+ years with a 10th degree black belt equivalency. 
Called ‘the hard-headed preacher’ for his talent of breaking things like 1,950 pounds of ice using only his body, Crain is also famous for his “Human Sandwich of Death” feat in which he broke a 1,675 pound concrete slab with a 20-pound sledge hammer while laying between two beds of nails with the concrete on top. But the Karatist Preacher is perhaps best known for his samurai skills, sending Michael Jordan to the hospital for three stitches after his sword slipped while slicing a watermelon laying on Jordan’s stomach. No lie. 
In the ultimate master business plan Crain uses Kung-Fu and Karate to attract an audience to the church sponsoring him and then follows his martial arts demonstrations by preaching the Gospel that started with this amazing LP.

Man of greased-Beatles-bowl-haircut and beauty-parlor-cape-karate suit chops concrete blocks in efforts to deliver the mighty message of God. But 14 slices of prime LP cheese in the name of the Lord later, Crane is the real deal, a Preacher and master of Kung-Fu and Karate for 45+ years with a 10th degree black belt equivalency. 

Called ‘the hard-headed preacher’ for his talent of breaking things like 1,950 pounds of ice using only his body, Crain is also famous for his “Human Sandwich of Death” feat in which he broke a 1,675 pound concrete slab with a 20-pound sledge hammer while laying between two beds of nails with the concrete on top of him. But the Karatist Preacher is perhaps best known for his samurai skills, sending Michael Jordan to the hospital for three stitches after his sword slipped while slicing a watermelon laying on Jordan’s stomach. No lie. 

In the ultimate master business plan, Crain uses Kung-Fu and Karate to attract an audience to the church sponsoring him and then follows his martial arts demonstrations by preaching the Gospel that started with this amazing LP.

karatist-preacher-mike-crain2

christian-crusaders-lp-al-davis

Not sure what kills me most about this Christian Crusaders LP cover: The guys’ matching shirts, ties and Good Humor pants, how the spaghetti-thin flip-adorned female’s 70’s rug-like skirt misses the color scheme completely, the arrangement of flesh under the large guy’s pants, the twists and turns of his greased hair helmet and pork chop sideburns, the mystery of the exact size of the scrunched up guy on the ledge or that this religious LP features “The Monkey Song”. If the Christian Crusaders and Al Davis sound anywhere as good as they look we’re all in for a joyful noise!

geraldine-ricky-trees-talk-too-lp

Long before I co-wrote the musical The Color Purple, in which trees are a powerful symbol, I believed these lumber providers were among nature’s most powerful species. But I never knew they could talk. Geraldine Murray, who claims God delivered her the gift of ventriloquism while she was asleep at age 14, apparently felt differently. Her wooden friend, Ricky’s, voice could make your ears bleed, perhaps causing the tree, well actually shrubs, they’re sitting in front of to creak loud enough for Geraldine to interpret it as speaking.

Geraldine & Ricky cut a few albums on the World Records Of Nashville label in the 1960’s. Though all that survives in my collection are the covers – vinyl cracks a lot easier than wood – they are among the Kentucky Derby champions in the Christian Kitsch LP race.

Geraldine and more wood:

geraldine2 geraldine3

joyce-lp

JOYCE!  As a result of this 1983 Kitsch classic LP, Joyce may not have had the opportunities now presented to Ms. Boyle but she certainly had the look to permeate our hearts and remain there as long. I was lucky enough to find this cover (LP long gone) in 1983 at my favorite junkyard, The Champagne Of The Salvage Industry (real name), in Long Beach, CA. As that was the year of the LP’s release, perhaps the songstress and her songs, featuring “I Get All Excited”, weren’t quite as compelling as the cover. But like Susan Boyle, word of Joyce has spread virally over the years, especially after her inclusion in the 2004 book, The Worst Album Covers in the World. I pride myself among the lucky ones to own a piece of Joyce Drake of Sealy, Texas who, if she’s still around, I hope is sharpening her pipes for next year’s Idol auditions.