.

In case you haven’t read it, the title of this post is in reference to the if-I-do-say-so-myself-despite-a-few-tiny-inaccuracies-great-and-rather-large-piece-on-me in last Sunday’s Washington Post.

In current news, I will be taking to the stage in LA again for the first time in over a year, actually the first two times, as there are two impending opportunities for me to regale you with my most humiliating show business stories and watch the audience remember my lyrics better than I do as we sing-along to some of my greatest hits!

First, I will be performing my infamous poolside with Sammy Davis Jr., Elizabeth Taylor slab o’ ribs story as well as a retelling of the single most ego-numbing, dignity-deprivation moment of my career, the Phoebe Snow/Paul Simon “I’m so f%#king hungry and yes, you’re Still Crazy after all these hours” story at Beth Lapides’ I’m With The Band (sorry, Pamela DesBarres who HAS been with the band!) evening at the Skirball Center, Friday night, June 5. It’s rock & roll comedy told by very funny people like John Riggie (30 Rock, The Comeback), Greg Behrendt He’s Just Not That Into You), the lovely Moon Zappa (Curb Your Enthusiasm, America the Beautiful) and, of course, ME, featuring stories about some of music’s biggest legends and presented lounge-style with cocktails and snacks available for purchase. Tickets here.

Then on Sunday night, July 12, it’s big ol’ party time when the illustrious Andrae and I + band hit the stage for a wild, so-affordable-it’s-crazy fundraiser for my Detroit-inspired record, video and feature length film about human spirit, “The D”/ Allee Willis Loves Detroit”!! Featuring a sneak peek world premiere of the record and video with more people in history than have ever been the original artist on a record, joined by some of the biggest stars to ever emerge from the Motor City.  Also sing-alongs to some of some of my fattys like “September,” “Boogie Wonderland,” “Neutron Dance,” and the Friends theme, as well as auctions from the legendary Allee Willis Museum Of Kitsch collection! Many more surprises at this outrageous multimedia live feast for the eyes, ears and soul!!  Tickets, thankfully going fast, are here.

And last but far from least, we are making fairly stunning progress on “The D” record and video, both of which are in the area of 85/90% finished. We are constantly diverted from the filmmaking mission having to prepare things like a marketing deck and a movie trailer so we can all stop eating up to the green edges of our food and raise some real money to get this car on the road. But I must admit, despite the financial deprivation – PLEASE COME TO THE BENEFIT ON JULY 12 – we are all having the time of our lives working on something this creative and worthwhile. All we do is laugh, and all we do is feel better and better about what we’re doing every time we look at the joy pouring out of Detroiters eyes, mouths and hearts as we pull everything together.

Exciting news on “The D” song front is that Detroit’s own Maejor, an artist with hundreds of millions of YouTube views and the smoothest voice this Motor City side of Marvin Gaye, is the latest superstar to add his voice to the record.

Plus recent interviews for Allee Willis Loves Detroit, the film, include the multi-seriesed Michael Patrick King, the shy and retiring Jenifer Lewis, the demure Sandra Bernhard, and Earth, Wind & Fire’s stupendous Philip Bailey, among illustrious others.

That’s about it for now. Here’s the link to my story in the Washington Post again:  “Most interesting woman you’ve never heard of” (so please get your ass to my show and help rectify the situation!)

Onward, Detroit! And remember to gimme some gas money on July 12 or pop it down here if you’re in generous spirit and unable to attend.

 

I know, I know… It’s been pathetically long since my last update. That might be because of the 20-hour-days-minimum-six-days-a-week schedule those of us working on the Detroit record, video, and filmhave been adhering to, handstitching everything together as if we were Betsy Ross making that flag. There have been great, jubilant days…

…as well as days that make you want to roll onto the freeway and pray an 18 wheeler puts you out of your misery….

But that’s the life of an independent 99%-self funded artist and I wouldn’t change anything for the world. Well, I WOULD love someone to dunk me into a big ol’ vat of Lincolns…

Old photo I know… If you can’t tell by the lack of wrinkles on my face you can certainly tell by it being the last time I ever wore a dress. But aside from that I leave each day totally uplifted by the spirit pouring out of the footage and sounds leaping off the record. Wish I could leak a teeeeeny tiny sample but let’s just say that no other city has had a song that sounded so insanely jubilant and looked quite so unique.

I don’t wanna let too much cat outta the bag until we premiere the record and video in Detroit this SEPTEMBER. Now that the year-long jotting down of logs has ended the video’s about 60% finished. In the meantime we’ve also begun interviewing some of my esteemed friends and colleagues for Allee Willis Loves Detroit, the film. The bounty includes this young Detroiter:

…and this young man who gave me my big break by having me write for his group, Earth, Wind & Fire:

The celeb list in the film is long because people have a lot to say about Detroit (and apparently me). This includes many Color Purple people and a stunning array of Grammy, Emmy, Tony, Academy Award, and Pulitzer Prize winners, a smattering of whom we’ve filmed so far including RuPaul, Ricki Lake, Bruce Vilanch, Lesley Ann Warren, Marsha Norman, and Luenell with a whole slew yet to come.

Not to say that the finish line of the feature film is in sight but we are crawling towards it with skinned knees, blisters on our fingers and faith in our hearts!

As for “The D”, the record is about 95% done. Just in need of us moving out of my home studio – not to berate my little studio which back in the day James Brown called one of the best and funkiest sounding in LA – but so we have a shot at mixing in more opportune acoustic conditions so the 40 basses, 35 guitars and over 5000 singers don’t make everything too wobbly sounding as they bounce off the heads of Sammy Davis Jr., Groove On Brother, and other soulful onlookers here at Willis Wonderland.

We’ve also been putting together a marketing deck so we can raise real money to get “The D”/ Allee Willis Loves Detroit finally on the road. As all of us normally peer through artists’ eyes we had no idea what we were doing here and this took some months of concentration not to mention putting any further record, video or documentary editing on hold.

If you know of any deep pocket persons or company/institutions that should see our lovely and provocative marketing deck please let me know. And to drop a few coins of your own in the tank you can always go here.

In the meantime, go on wit yo bad self, Detroit!

All around it was a very good SEPTEMBER week here at Willis Wonderland LA as well as Willis W in Detroit.

Yes I know there is a Willis Street in almost every major city in the country. But this particular one is not only the exact spot my parents first met when they lived kitty corner from each in Detroit oh so may years ago, but it’s also the street that was taken over to make way for this intersection below, in a housing complex started by retired Motown singers and where we sang one of the sing-alongs for “The D” record and videos.

As the reliably magic day – the 21st of September – approached, NPR did a great story on the timelessness of my very first hit, “September”, co-written with Al McKay and Maurice White. Professors of Musicology even broke it down for analysis as to why it is so eternally happy and a song that will literally never end.

0It’s been decades now that every weekend I receive at least 5 videos of the song played at someone’s wedding or drunken karaoke spree or there’s a bar mitzvah boy spinning around his blond dream girl, anywhere and everywhere happiness is the intention. And indeed THAT makes me very happy!

Then I had literally one if the greatest days of my life in Detroit on THE BaDeYa 21st of September when I performed my very sold out “BaDeYa, Detroit!” show, featuring a 15 piece band put together from musicians and singers we discovered at the sing-alongs and while filming the feature-length-exceedingly-hybrid-documentary, Allee Willis Loves Detroit.

The show/party also included dancers from Mosaic Youth Theatre Of Detroit, one of “The D”/ Allee Willis Loves Detroit’s beneficiaries, spinning car tires over their heads, choreographed videographers leaping over drums on cymbal crashes and organ sweeps, as well as the obligatory obsessive amount of junk food I subsist on.

And then how much better does it get when you get Tavis Smily in an Afro (attempting to) shake his booty to ’September”’s sister, “Boogie Wonderland”, on Dancing With The Stars, all in the same week?!  Though he sported one of those chopped down naturals when a good footlong Billy Preston was called for.

I have been blessed with a wonderful (albeit challenging) life and am living my creative (albeit money challenged) dream right now and I thank all of you who made it possible! Remember to throw some gas money in the tank please.

BaDeYa!

For the past few few years now on the “BaDeYa, say do you remember 21st night of September”, my blessed and magic day because it’s the first line in the first hit record I ever had, I’ve made a tradition of performing live, something that took me over three decades to get together. Other than last year when I was in Detroit conducting one of the 50 sing-alongs for ”The D”, the unofficial official theme song I cowrote for Detroit, in a laundromat with people essentially spinning around in dryers while singing.

As luck would have it, THIS year was a particularly special September 21st as just a couple days earlier NPR did a story on why “September”, co-written with Maurice White and Al McKay, remains such a timeless song, symbolizing warmth, love, and soul.

This year September 21 was even more special because I decided to perform live for the very first time EVER in Detroit, my beloved hometown for whom I’ve (unofficially) been slaving away on a project, “The D”, a record and multiple music videos, and Allee Willis Loves Detroit, a feature length film, for the last 2 1/2 years. As such, my co-writer and partner on the music portion of the project, Andrae Alexander, and I put together a 15 piece band made up of the very best musicians and singers we found during the 50 D sing-alongs we led last year to perform live with us in the show, BaDeYa, Detroit!.

We also wanted to give everyone a preview of the song which finally has a preliminary mix after over a solid year of trying to deal with 5000 vocal and instrument  tracks, each one with up to hundreds of voices on them. There’s just so much room in the sound spectrum and every inch of it we have taken up truly sounds like something you have never heard before. We also gave the audience a sneak peak at the beginnings of the first of many music videos to follow.  (Sorry – no preview here; only a few shots so you can see it ain’t no normal thang and to insure that you get the full punch once the first video’s actually delivered.)

For an artist such as myself who dotes on every detail of a stage production from designing the invitations to handmaking the set, picking theme food, designing the merchandise, casting people who help us like I’m casting characters in a musical, shipping 20 crates of everything to Detroit, directing, co-producing, and doing just about everything else involved in a production – albeit all with fantastic collaborators – this was no easy feat. And performing out of town for essentially the first time in my adult life makes that even harder. But don’t even ask me how worth it it was!!! Easily one of the best days/nights of my life was this “21st (almost) night of September”!

We performed at United Sound, a still-in-existence historic recording studio in Detroit where everyone from Charlie Parker to The Rolling Stones and some of my all-time favorite records like Isaac Hayes’ “Shaft”, The Dramatics’ “Whatcha See Is Whatcha Get”, and Marvin Gaye’s “What’s Goin’ On” were recorded.

But to turn a brilliant recording studio into a brilliant performance space is another issue entirely, especially when it involves things like sets, choreographed videographers who leap over drums on crash cymbal cues and organ sweeps, and all the other madness that goes into an Allee Willis production..

Of this now 2 1/2 year Detroit gargantuan mofo project,  “The D” and Allee Willis Willis Loves Detroit, the feature-length film about human spirit as seen through the people of Detroit and how my life, a constant conscious battle to keep my own spirit going, parallels that struggle, 99% of it has been funded by me. (Put some gas money here please.) So this meant getting people involved in BaDeYa, Detroit! working for gratis. Which they thankfully, gratefully, and miraculously did. From the band to just about everyone else who worked in any capacity on the show. They are saints. They are insanely talented. They are blissfully soulful, and primary examples of why I feel so compelled to make a film about the people of Detroit and how it is THEY who will rebuild the city because of their resilient spirit.

I want to give a special shout out to Malcolm Haris and Donnevan Tolbert, two young gentleman I saw play Mister and Harpo when their high school, Cass Tech, became the first in the country to license the musical I cowrote, The Color Purple, a couple years ago, and who did a brilliant spoken word intro to my show.

And I want to thank the five brilliant dancers from The Mosaic Youth Theater of Detroit, one of the two beneficiaries of all profits from my Detroit efforts, who donned mechanics uniforms and spun car tires over their heads during the sneak peak world premiere of the first mix of “The D” and boogied their butts off during my second hit,  “Boogie Wonderland”.

I want to also thank the stupendous audience not only for showing up, as songwriters remain the buried treasure of the music industry, but also for participating so wildly so that the show came off just as I had prayed it would. Like a party in my living room. And if you don’t know my reputation for throwing parties you better go here now.

As a result of having so much fun not to mention hitting a new plateau in my budding performing career, I love Detroit even more than I have kvelled about it before, as if that was even possible. And I will eternally love the 21st of September for doing everything from giving me a second birthday because every year since I wrote it I hear from thousands of people that day telling me how happy the song makes them feel. This year it made me the happiest of all.

I hope you can see the spirit that was jumping off of the stage and ricocheting back to us in all the above photos as well as all of these. That room was an automatic power generator and from what I’ve heard everyone, certainly including me, is still buzzing. So BaDeYa Detroit!

CALLING ALL DETROITERS! I will be APPEARING LIVE for the first time EVER in the Motor City 3 PM, Sunday, “the 21st (almost) night of September”! Andrae and I plus a 10 piece band – singers, dancers, tires, fire eaters, live tigers – well, a couple of those may not be true but I guarantee you it will be a spectacle among spectacles!

BaDeYa DETROIT features sing-alongs to my some of my greatest greatest hits like ’September”, “Boogie Wonderland”, “Neutron Dance”, the Friends theme, not to mention a not-ready-to-be-released-yet-but-needle-drop preview of “The D”! and is all happening at Detroit’s most historic recording studio – the immortal United Sound, 5840 2nd Ave., Detroit, MI 48202, Sunday, September 21, 2014 at 3 PM. Here’s the ticket link. Click NOW for maximum enjoyment as seating is very limited!

A couple of Allee Willis Live enticing quotes:

“Invitations to Allee Willis’s ultra-exclusive … parties are the campiest hot tickets in LA.” – People Magazine

The unpretentious and effortlessly hilarious Willis stood before her mic cracking jokes and spinning alternately hilarious and touching anecdotes… Billed as a “songwriter, live performer, visual artist, and iconic party thrower”,…the indefatigable and gifted Willis lives up to all of the hype, and more. Who else can one think of who created a marathon catalog of beloved chart-topping songs beginning in the late 1970s, wrote background score and songs for a 1980s movie blockbuster (“Beverly Hills Cop”) and “I’ll Be There For You,” the theme for the iconic long- running sitcom (“Friends”), and ultimately added to her incredibly eclectic repertoire in late career by co-writing a wondrous Broadway musical in 2005 (“The Color Purple”)?…Willis simultaneously projects counter-culture hipster and dearly beloved auntie. There’s plenty of warmth and refreshing humility mixed in with her thumb-your-nose attitude. – The Edge Media Network.

So please BUY YOUR TICKETS NOW for a magic carpet ride to Happy Land on the 21st day of September!!

BaDeYa, Detroit!!
http://www.brownpapertickets.com/event/811274

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Finally!! Get out the ol’ YouTube and enjoy this sneak peek at “The D”! (This is NOT the music video or film; just a sneak peek at what you can expect!) You can play this now or read a little more as I will kindly provide you with the link 30,000 times before the end of this update.

As we speak, I’m in my studio rolling my chair from one workstation to another as we simultaneously mix the 4000 vocal and instrument tracks for the record, and edit the 2000+ hours of footage into a music video, assorted trailers and a hybrid–documentary–but–not–really feature film. Normal life has ceased and no matter what other needs may need attending, work never stops!

In the nearly 2 years since I began working on “The D” there were times I was just inches away from pulling the plug because the financial and practical odds of getting thousands of Detroiters to sing a song and be in a film about human spirit on no budget just seemed too enormous. But make it to Detroit we did, in September – a magic month for me for obvious musical reasons – and again at Thanksgiving when I was such an exemplary float personality greeting the crowds as a block of ice being hauled down Woodward Ave., Detroit’s main drag and first paved road in history, in the Thanksgiving Day Parade:

As usual, massive thanks and eternal gratitude to those of you who have already donated or participated in the making of “The D”. Now that everyone else can finally get a hint of what we’re doing I hope many of you reading this will follow suit and help us finish by adding some gas in the tank.

If you like what you see please please please spread the link to this “D” sneak peek around: http://youtu.be/4rkbTpZdxy8
If you want to donate go here: http://www.gofundme.com/3btivk
For complete info on “The D” go here: http://www.wesingthed.com
And If you know some nice rich person or place with excellent taste and a whole lotta soul who might make this next part of our journey a little easier in the way of coin, please email me immediately!

I can guarantee you “The D” is a view of Detroit you’ve never seen before. I can guarantee you it’s an accurate one. And I can promise you it will make you smile. When it comes to soul – SERIOUSLY – there ain’t no place like the Motor City!

My “D” best,
And, by the way, have you seen this excellent sneak peek of “The D”?

Allee

Hard to believe that after working on “The D” a solid year and a half, my ever-growing crew of 15 and I are descending upon Detroit in less than a week to record the song, video and feature length documentary. We’ll be recording and filming groups of 50 to 1000 people at each of 40+ locations where people will be singing “The D”, dancing, and showing their Motor City spirit however they can. Nothing like this has ever seen attempted- not just the largest number of people ever on a record, but the largest number of people as the original artist on a record. A partial list of locations participating is at the end of this email.

Over the past couple of weeks I’ve been recording incredible Detroit born singers, songwriters, musicians, comedians, and actors here at my studio in LA – groundbreaking Motown songwriters and producers like Lamont Dozier, Paul Riser and Mickey Stevenson, former Supremes Mary Wilson and Scherrie Payne, singers Freda Payne, Marcella Detroit, Pam and Joyce Vincent, Diane Steinberg, daughter of legendary Detroit DJ Martha Jean The Queen, comedians Lily Tomlin and Angela Shelton, and musicians like Greg Phillinganes, Ray Parker Jr., Reggie McBride and Bruce Miller – with a lot more to come. Here’s some of the action in my studio over the past week:

Mary Wilson:

Lamont Dozier:

Lily Tomlin:

Massive thanks again to all of you who donated moolah to make this truly historic song, video, documentary and collaboration with the people of Detroit possible. As the scale of this project involves tens of thousands of people and a 20 day/ 40+ location shoot, not to mention postproduction and all else involved in finishing the project we are still actively seeking funding. I’ve started another online fundraising campaign at http://www.gofundme.com/3btivk. I haven’t made a big deal about this one. It’s just there for generous souls who want to be part of something truly inspirational. We are also seeking larger donor sponsors and/or angels. You can email me back with any inquiries about that.

Thanks to the following locations where we’ll be filming and recording “The D”. One of the sing-alongs at The Heidelberg Project, Saturday, September 21st at 3pm is open to the public.  A schedule will soon be published at https://www.alleewillis.com/WeSingTheD/.

The Detroit Historical Society and Museum
The Dossin Maritime Museum on Belle isle
Detroit Yacht Club
D-Hive
Mumford High School
Pasteur Elementary School
Martin Luther King High School and marching band
Wayne State University
College For Creative Studies
Eastern Market
Temple Israel
Academy of Rock
Rock Ventures/ Opportunity Detroit
Radio One
The Heidelberg Project
Mosaic Youth Theatre
The Whitney
The Fisher Building
Greg’s Soul In The Wall restaurant
Consumer Auto Parts
American Jewelry & Loan (Hard Core Pawn)
U Detroit/ Harmonie Park
Henry The Hatter
Lafayette Laundry
African Bead Museum
Lululemon at Eastern Market – largest yoga class ever in Detroit – 500 people
Michigan Opera Theatre
The Ford Piquette Ave. Plant
Campus Martius Park
The Alley project (TAP)
Detroit Synergy – biking event
Historic St. James Baptist Church
The Greening Of Detroit
Detroit Dog Rescue/ HUSH
Church of the Messiah
Deep River Y Choir/ Comerica Park
Russell Industrial Center
Ebenezer Baptist Church
Michigan State University Community Music School
Woodbridge Housing Complex

Now just about all that’s left is to board the plane to Detroit!!

Onward!

Allee

 

 

This is an update to all those who have donated or signed up to participate in “The D”, my multimedia song-video-documentary extravaganza I’m recording and filming via a series of sing-alongs in Detroit from 9/10 – 10/1, 2013:

The wheels have begun to roll really fast now that we are only 5+ weeks out from going to Detroit to record and film “The D”!

First, an incredible array of fantastic locations in Detroit have signed on to let us record and film there.  They go from iconic outdoor locations both on land and water to inside museums, restaurants, schools, churches, synagogues, laundromats, car washes, radio stations, pawn shops, hat shops, hotels, recording studios, yoga studios, weave salons, and more. From the largest business enterprise in the city to the smallest hole-in-the-wall restaurant “The D” is representing the most vibrant spots and folks in the city. Not to mention a slew of famous singers and musicians who hail from the Motor City and will be coming to my studio in LA to participate.

I arrive in Detroit with a 12 person crew on September 9. We will be there through the end of the month in order to have enough material for the song, video and documentary.  Most of us live in Los Angeles and New York and share a deep love of and belief in Detroit. We will also be picking up many local crew members, interns and volunteers once we’re there.

I was in Detroit earlier this month hosting two fundraisers generously thrown for us by two amazing restaurants, The Whitney, and Vinsetta Garage. The Whitney was a 150 person event featuring sing-alongs and a great live 60s/70s funk band whereas the dinner at Vinsetta was a higher ticket, more intimate evening of just 25 people and about four hours of constant (incredible and mind blowing) food. I was most excited when Mary Wilson of the original Supremes walked into that one!

My third night in Detroit was spent at the Detroit Historical Museum where my portrait and some personal artifacts were on display as part of an exhibit featuring 50 iconic Detroiters in Jenny Risher’s beautiful Heart Soul Detroit book. A truly incredible moment for me, whose only music education was worshiping Motown, was when I walked in to see myself featured as part of the Motown section of the exhibit. Here I am with Martha Reeves (Martha & The Vandellas), Mary Wilson (The Supremes) and Miss Maxene Powell, the Motown etiquette coach who gave the groups all their signature poise and grace.

I want to especially thank the Detroit Historical Museum and the Detroit Historical Society for the great interest and support they have shown to “The D” ever since this most wonderful evening.

At the end of this coming week, I’m hosting a week-long production confab at my house in LA where the director, producer and other principals will be flying in to plan the actual production schedule and figure out the logistics of such an ambitious project. We are incredibly well organized for something of this scale on the somewhat limited budget we have (and why the search for funding will continue until the very last frame of the documentary is cut). Every single person on the team now is beyond enthusiastic and ready to roll up their sleeves and do whatever it takes to get this done, my personality MO since the beginning of my career. I can’t tell you how great and inspiring it is to work inside of an energy force like this and I hope as “The D’ is realized and these updates get more consistent that that energy will uplift you as well.

Once again, I want to thank everyone who so astutely and boldly donated to “The D”. I also want to thank people receiving this because you’ve signed up to participate as well as those who came to the parties at The Whitney and Vinsetta Garage. It’s that spirit that has kept Detroit going through the decades of glut and gluttony and it’s certainly the primary force in re-imagining the city now.

For more information on “The D” go here. (https://www.alleewillis.com/WeSingTheD/)

To DONATE go here: http://www.gofundme.com/3btivk

To learn the actual song go here. (https://www.alleewillis.com/WeSingTheD/sing-or-play-the-d.php)

For more of Allee’s Detroit go here. (https://www.alleewillis.com/detroit/)

 

 

It’s no secret to anyone within miles of  my mouth that constantly babbles on about it that I love my hometown of Detroit, the city that gets more bad raps than an unpopular war, deadly criminals, and oil spills put together. If one had unprejudiced EYEballs to look through they would see the same beautiful and spirited city that I see, the one whose people – perhaps not those who fled to the lighter color suburbs  –  still believe in and wake up with the soul that Motown pumped into their veins still cursing through their bodies to make things better. Some of that stuff musta stuck personally to me as I seem to have become in my old age the cheerleader I always wanted to become in my young age, though now for the whole city as opposed to just the Mumford Mustangs, whose colors I bore at my graduation oh so many years ago.

As most of you reading this know I’m heading back to Detroit the entire month of September, a month I helped popularize in song!,  to conduct daily sing-alongs in order to record, “The D”,  the new theme song for the new Detroit I wrote with Andrae Alexander and to simultaneously film near round-the-clock in order to make multitudinous videos and an accompanying D documentary.

Raising money to do this, or for anything in my career, has been my least favorite part of being an artist. I hate dealing with money. That’s not why I make art/music/videos/web worlds/etc. It’s antithetical to this pure artists’ brain and being to ask for money. But as an artist who 90% of the time has funded themselves, and as a songwriter who has watched my own and others’ work get essentially cast into the public domain, operating under the digital assumption that songwriters no longer deserve compensation, unless there’s some gold or green in the bank ain’t no nothin gon happen no mo.

So I launched an Indiegogo campaign to raise the money for “The D”. But I’ve been pretty shy about confronting the bane of my career – asking people for money so I can put some gas in The D tank and actually pull off what most artists would want 1,000,000+ clams to do – spend a month getting every single person in Detroit who wants to be on the record or perform in the video/film to do exactly that. And I’m prepared to do it with scotch tape and string, the usual way I’ve have to execute my career, walking the money gutted path of pennies, stripping down the grand vision that I see in my head to the thinner version my pocketbook can afford. The good news about this is that without those limitations I doubt I ever would have stumbled onto the KITSCH style I’m known for in all areas of my art –  other than my music, which remains on its Grammy high. And for this I thank those who have been either too cheap or ball-less or working at entertainment conglomerates to support me just to sit back and watch from behind the fence while I hit the home runs for those who HAVE pulled their checkbooks out.

All of this rambling to say, THIS WEEK ONLY, if you donate at least $15 to “The D” you’ll automatically be entered into the raffle to win one of an excessively limited edition of personally-autographed-by-me “Keep Your EYE on Detroit!” dashboard EYEballs in addition to all the other perks associated with the amount you contribute! Thank you, Archie McPhee, for the generous donation of these ocular wigglers.

This nifty EYEball shaker will not only liven up your car dashboard but will be a constant bouncing reminder that you’ve put your money where the underdog is and be a part of calling attention to a true American city that’s reinventing itself very much in the spirit that the United States itself was created. Forge into new territory and do it for yourself. Detroiters have no government to rely on, hell even the mayor quit, so people there are just rolling up their sleeves and executing ideas that they wouldn’t have the balls to even think of let alone build in other cities.

I’ve long said that the times that I’ve been perceived as hot in my career aren’t actually when I’m hot. It’s in the valleys when you think nothing is happening and no one’s paying attention to you because  they think you’re over when you do the work that shoots you to the top of the mountain in your so-called “hot” periods. That’s what it’s like in Detroit now, the Wild (mid)West, the city that slid first and watched all the others fall in their arrogance of “that couldn’t happen here”, and the first city to embrace, at least from the inside, that radical change isn’t re-building, it’s re-imagining and re-inventing.

You can feast your real EYEballs here where I’ve just posted gaggles of photos from my trip to Detroit in April. Then try to get your real plastic EYEball here by helping me pull off this insanely massive project I have in my head to do in Detroit this September. If one just keeps their EYEs pointed toward the ground and walks the same path one’s always walked you get the same life you’ve always had. But if one keeps their EYE on Detroit, you’ll see the path changing, leading to a very bright light in the future. Please be among those who help me shine that light! http://igg.me/at/WeSingTheD EYE will appreciate it forever!

YOU + (at least) $15 = Making Allee very happy.

Full deets on da D: http://igg.me/at/WeSingTheD