On May 8 and 9, 2012, I took a giant leap in my evolution and broke through an almost 4 decades-long bout of stage fright, performing two sold-out performances of my Super Ball Bounce Back Review, a combo concert/sing-along/party extravaganza at King King in Hollywood.

Lack of performing has always been a raw, gaping hole in a long career that’s stretched across various fields of the arts, despite the fact that I’ve always had the balls to throw myself off cliffs as I periodically dive-bomb into pursuits I know nothing about. I’ve hosted multimedia theme parties where I’m perenially on mic so that even the conversations I have with everyone are blasted throughout my house or wherever else I host these beasts. And God knows I walk around in hair and clothes that makes peoples’ necks snap if they’ve never gotten a gander of me before. Throw in that I’ve sold 50,000,000 records despite the fact that to this day I have no idea how to read, notate or play music, and I sold hundreds of paintings before I realized that you mix colors to get different colors. So backing away from displaying myself publicly made absolutely no sense.

But then I realized that this theme of living fearlessly was at the heart of everything I ever created. View life as a creative process. You are the canvas. If you’re stuck with a weakness, for God sakes turn it into a hook. Nine times out of ten, you’re the bogey monster scaring yourself shitless so just get out the way! So I finally did.

So here then are four videos from my Super Ball Bounce Back Review.  If you like them and are going to be in LA on September 21 and/or 22, I’m rising again at NoHoPAC in a salute to “September”, the first line of which mentions the date of the opening night.

“September”:

“Boogie Wonderland”:

“Neutron Dance”:

And the whole enchilada:

Badeya!

 

May 28, 2012 marked the end of a stupendous three-month run of the musical I co-wrote, The Color Purple, at The Celebration Theatre in LA.

Originally performed on Broadway in a 2000 seat theatre with a cast of 31, and later on tour with a slightly smaller cast but remaining in 2000+ seat venues, the Celebration performance featured 19 actors in a 99 seat theater.

Totally reconceived, this performance was wrapped with the kind of intimacy we wrote it with. I loved the original and this production rose to the same heights. To show my gratitude, I threw a party to thank the cast, crew, director and producers for pulling off the nearly impossible, stuffing a huge musical into a tiny yet fantastic theatre.


Way, way, wayyyy, more Purple party pleasure here.

 

Photos: Barry Weiss, Mark Blackwell, and Dina Duarte.

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On May 8 and 9, 2012 I had one of the greatest experiences of my career performing my Super Ball Bounce Back Review at King King in Hollywood. It not only was only the second and third performances I’d done since jumping off the stage in the middle of my own show in 1974, but was an attempted – and I’m happy to say TOTALLY TRIUMPHANT – comeback after one of the worst experiences of my career seven months before when 90% of the technology my first attempted comeback show was dependent on failed. But I knew that I had to get back up and practice what I preach: From some of the worst situations come the greatest miracles and I had proven to myself time and time again that, if nothing else, I was someone who had the courage to make lemonade out of big, fat lemons.

So I’m happy to report that I have risen from the ashes and had two of the greatest nights of my life bouncing back as a performer in a major way. I can’t thank everyone who came enough. And I can’t thank everyone who worked with me on the show enough.

So I leave you with a whole lotta photos from both nights, videos to come and a big, loud Badeya-say-do-you-remember there never has to be a cloudy day as long as you have sunshine inside. ENOY THE SHOW!!

Just a sprinkling of the over 2000 photos I’m still going through from my “Super Ball Bounce Back Review” live show at King King in Hollywood last Tuesday night, May 8.  There will be TONS more coming from both Tuesday and Wednesday nights performances at the top of next week, and a whole lotta videos after that.

Will post some from May 9 soon. And trillions of them this coming Monday. Badeya!

Here’s a few shots from the last rehearsal yesterday before I make another go of it live. Both shows tonight and tomorrow night are thankfully sold out, though there may be a few places to stand by the bar. See you there!

 

Rehearsing is, indeed, a novel concept for me. I like to plan, plan, plan but then just let things happen as they may and field the few things that may go awry. This is part of my daredevil style being a completely unschooled artist. But when I tried that in my last show, supposedly my big  comeback after a 37 year bout with stage fright, the tech guy screwed up so severely that I realized that could never happen again. So I spent the last week in the rehearsal studio with a lot of amazing folks getting ready to hit the floor boards again.

These were all taken last week at rehearsals for my Allee Willis’ Super Ball Bounce Back Review live show in mere moments, tomorrow and Wednesday nights, the 8th and 9th, at King King in Hollywood. These are in no particular order, just a few of my favorites.

Many mouths to feed as my live Allee Willis’ Super Ball Bounce Back Review is only two days away and we be deep into rehearsals. So this 36 incher from Big Mamas and Papas was the only way to go.  Actually it wasn’t… There’s also a 54 incher. And it’s mmmmmmmmmmm good too!

My esteemed bandleader, Andrae Alexander, takes the first bite:

I wish I had time to write at length this morning because I can’t even tell you what a SPECTACULAR evening I had last night at my high school in Detroit, the greatest one of all, Mumford, about to be destroyed by the wrecking ball but still the most spirit-filled place in the city. Kids from the  choir, dance company and band performed some of my greatest hits while I told stories about how they were written. So many of my classmates showed up, some of whom I hadn’t seen since I graduated, some of my family, the ones who weren’t afraid to show some soul, leave the burbs and come into the real city, friends I’ve made on my last couple visits here and, of course, the wonderful and dedicated Mumford teachers, principal and former principal, and staff who helped so much to make this one of the favorite nights of my life.

I have to race out of the hotel seriously fast and check out a recording studio because I’m hell-bent and determined to collaborate with the entire city, at least any of those who want to be on a record, on a Detroit song that I’ve been working on back in LA with my upcoming live show bandleader, Andrae Alexander. Then race back to the hotel to change and get over to Cass Technical High School where the City Council will be presenting me with the Spirit of Detroit Award, and where I’ll also be attending another performance my musical, The Color Purple, all the while trying to edit the close to 600 photos taken last night, not to mention at least 10 hours of film from cameras we placed all over  the auditorium.

I hope to be blogging a lot about this next week once I’m back in LA so please check back then. Until then, I’m cheering for you, Mumford High! And Onward, Detroit!

You all know of my love for the physical structure of my classic Deco baby blue high school in Detroit, Mumford, as well as my dismay that the wrecking ball is hitting it mere months after the concert I’m doing/hosting there THIS Thursday night. One of the MANY reasons the school is near and dear to my heart is also because it was made famous in the film I won a GRAMMY for, Beverly Hills Cop, when Eddie Murphy wore a t-shirt bearing its name throughout the movie.

So it upsets me even more that features like this, all over the school, are about to be nothing more than a pile of crumbled limestone:

One place inside Mumford I loved like no other was the auditorium.  Here’s a photo of when I was there last year watching rehearsals for when I conducted the marching band playing a medley of my greatest hits. I was sitting in my favorite seat, Row A, first seat on the middle aisle.

Here was Row A, seat 1 yesterday as wrecking ball syndroome has already hit the school:

Here I am leaving the school:

At least there’s some small concilation for the crime of classic architecture demolition. Now if I could only get that clock!

Rehearsals for my May 8 & 9 return to the stage in my Super Ball Bounce Back Review have begun. Given what happened at my last show in October this is very significant!

I also leave for Detroit on Sunday where I’ll be hosting a benefit greatest hits concert at my high school and telling stories of how some of my biggest hits were written while students perform the songs. This includes kids from the dance and drama classes, concert choir, marching band and ROTC drill team.

Don’t even ask me how excited I am about that! Plus it gives me a chance to rehearse some of the stories I’ll be telling at my live show in LA in May. I’ll also be speaking to students at my father’s high school as Cass becomes only the second high school ever to perform my musical, The Color Purple. And all this is stuffed in between 8 trillion meetings with movers and shakers, big and small, to feel out a couple of long term projects that I want to do in my beloved home town.

All of which means I’m going to be completely insane over the next 30 days, which will inevitably cut down on my blogging activities as time I may have spent writing is now going toward prep and rehearsal of those ever-important two days in May, not to mention my week in Detroit.

As a result, I’m going to try and become an interested little tweeter. I don’t know if this will work as I’ve resisted regular tweeting ever since the bird first launched. As an avid natural writer, I’ve always viewed the constant barrage of 140 characters as an invasion to my headspace. I’m also someone who likes to think about what I do, so longer than 140 has always suited me best. But, at least from where my head is right now, tweeting may save me as I try to report in tiny chunks as opposed to longer daily excursions. Here are my tweets from yesterday documenting my first steps toward the stage again:

Rehearsals for my Super Ball Bounce Back Review at King King May 8 & 9 have begun! http://kingkinghollywood.com/


(BTW,What are the chances of there being another A. Willis gracing the stage with me? Well, that’s exactly the case here. That’s A. (Akua) Willis in the hat.)

Perhaps one day I’ll learn the lyrics to my own songs… Creeping slowly through Boogie Wonderland.

Slashing the script right outta da gate with Richard Dorton, my SKILLED and WELL REHEARSED tech director.

I know these are nothing dramatic and so far the only way I’m interested in tweeting is if I can have a photo as a punchline. I put this one up this morning, though the photo’s just a photo and not a punchline:

We’racing 2 finish horror film that opens my new show @ KingKing May 8&9. Best of horrific tech failures frm last show.

I hate typos like ‘We’racing’. That happened in efforts to cut down to less than 140 characters so a photo could accompany the tweet.  In the old world I also wouldn’t have wanted to give away the fact that I was making a horror film of the most Titanic moments from the last show, but in a tweet-filled world there’s no room for secrets.

Today’s a free day at home, marking the start of the three day/three suitcase packing process. Hopefully the bug hasn’t hit me full strength just yet and I won’t become one of those tweeting fools who shows you every single thing I’m putting into those suitcases.

Of course, I couldn’t resist and just tweeted that. Now I just need to knock this down to 140 charcters:

My nimble assistants, Dina and Suellen, cut face masks and assemble souvenir multipurpose “Unisex Pendants and Keychains” made out of bubblegum charms that will be for sale at Allee Willis’ Super Ball Bounce Back Review May 8&9 at King King in Hollywood.