
In the 1960’s and 70’s when string paintings were at the peak of their popularity more string owls lived on wallpapered and wood paneled walls inside houses than real ones lived outside. I never took the craft up. The strings in the crowded areas reminded me of tiny spider legs. The nails were tiny and unless you hit them dead on the black velvet would twist around the shaft and pucker everywhere. Then the string, or in this case yarn, had to be pulled completely taunt or you’d have a sagging bird. All those crisscrossing strings gave me Vertigo, especially when it got to places like around the eyes where there were so many of them it was like a spider convention at The Sheraton. This was way too precise of a task for a free-form, spontaneous artist such as myself. I felt the same way about Spirographs.

As ubiquitous as they were there were way too many little spider leg lines for me and you had to adhere too strictly to the rules.
Whether fashioned out of string, metal or ceramic the owl is one of the most iconic birds in art. Although I collect string owl paintings I prefer my owls in more solid form. I have owl cups, …

… an owl radio,…

… an outdoor metal owl…

… and a zillion other forms of owls. I even have more owl string art.

I think my black velvet owl string painting is one of the best looking around, bare bones and to the point.

The disadvantage of owning a string art owl is that keeping him clean is nasty business. Black velvet is hard enough to keep clean without 12,000 little worms stretched across it. The next time you see string art at someone’s house take a good look. The little nails are like barbecue pits around which families of dust balls gather. So, no barbecues at my place, no owls on the wall, just a nice string painting, wrapped back in plastic, going back to nest in a rack in my garage until the next time I need a good look at the First National Bird Of Kitsch.

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Categories:
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This can of Song Food has stared at and inspired many a singer at my place including Bob Dylan, James Brown, Cyndi Lauper and hundreds more. I’ve never owned a canary (though my trained parakeet, Pepi, was one of my favorite pets ever), but the can has sat atop every pair of speakers in my recording studio since my very first hit. It first adorned a set of Auratones, excessively cheap but vital sound boxes that no matter how great of speakers you had you always had to play your mixes through to know what they’d sound like on the radio. It’s still sitting on one of my Mackies today.
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I love actual owls and ladybugs but none so much as these transistorized versions. I have entire zoos and forests of these things but these are two of my favorites – a ladybug who, when you twist her left eyeball, opens her wing to expose a still working speaker and an owl who, when you twist her right pink rhinestone eyeball, chirps the sound of AM radio as clear as the day she was hatched. I bought the owl in the early ’80s and she still works perfectly despite the fact that I’ve never changed her batteries.
The ladybug, all plastic and made in Hong Kong by Sonnet, British Design, is 5 inches long and an inch and a half tall and counting. She comes with a convenient wrist strap and two rubber antennae.
The owl, made in Japan, is 8 inches tall and fat with a plastic body and gold medal wings, eyes, legs and speaker holes in the crotch.
I love actual owls and ladybugs but none so much as these transistorized versions. I have entire zoos and forests of these things but these are two of my favorites – a ladybug who, when you twist her left eyeball, opens her wing to expose a still working speaker and an owl who, when you twist her right pink rhinestone eyeball, chirps the sound of AM radio as clear as the day she was hatched. I bought the owl in the early ’80s and she still works perfectly despite the fact that I’ve never changed her batteries.
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These three beauties are the real deal, the kind that used to bake in the sun in Florida in the 1950’s glory days of pink flamingos, not the hideous shocking pink plastic repros that proliferate in catalogs today. These gals are made of solid concrete and weigh a ton; even the baby is a 10 pounder.
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Los Angeles,
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In the 1970’s, more owls lived on wood paneled walls than in trees. The owl is clearly the National Bird in the state of Kitsch as flocks of them thrive in burnt metal, ceramic and the all important Hi Art of Kitsch, String Paintings. This one is especially fancy, incorporating mohair yarn as feathers and a driftwood perch.
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