I used to hate these theme hats as they always look so dorky. But now that I have a blog and a museum that spotlight kitsch this sort of haberdashery seems to fit right in, especially when it’s on my head. And especially when it’s this awkward menorah hat on this first day of Hanukah. The candles don’t stand up straight and nine candles is kind of too wide for a hat anyway.
But wearing a hat of this sort makes one feel festive. And if there were any holiday that called for feeling festive it’s one that comes along with eight gifts, one for each night of the celebration.
Hanukah is the kind of religious holiday that kids love. I made some of my most significant childhood scores in all the Decembers of my youth. I got my very first portable hairdryer on Hanukah as well as my very first transistor radio, my pink and gray Columbia bike, an incredible light avocado green cable knit mohair sweater that I still lust for and my favorite wallet of my childhood:
So happy first day of Hanukah! May you get something as nice as a Ben Casey wallet and eat lots of matzoh ball soup.
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I loved me some Ben Casey when I was a kid. I had Ben Casey diaries, wallets, cufflinks, bobble head dolls, anything and everything that had that kind-of-smile-but-not-really brooding look that Vincent Edwards, who played the handsome doctor, knew how to give with amazing regularity. Here he is as a cufflink with the same intent look:
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I wasn’t going to do anything for my birthday this year. Too overworked and no extra coinage to throw around. But word leaked out and spread and all of a sudden these people, most of whom I’ve spent every birthday and momentous occasion with for umpteen years, showed up at my house:
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This game felt especially fitting because it’s supposed to teach you how to play by ear. Not only did I never learn to play by ear but I never learned to play period. Which makes the fact that my songs have sold over 50 million records a very kitschy thing indeed! I don’t suppose this game will help me, though, as there are no instructions included. I was never good at following instructions with anything anyway which is why just about everything I do is so spontaneous and free form. Which is what I loved about Pomplamoose when everyone started sending me links to their version of my song,“September”. I sent them a message and asked them if they wanted to write something together, something I never do, but I thought they were so fresh and casual and inventive that it would be a good match. From the looks of their videos it looked like they already knew what this game had to teach.
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The title of this post is somewhat misleading as although I really did go to the largest exhibition of Marilyn Monroe’s personal artifacts ever I assumed it wasn’t cool to take photos inside the Hollywood Museum where it took place so I only took my camera out to snap a few personal photos of my own. As I was driving home I was kicking myself that I didn’t break the rules and at least sneak a shot of Marilyn’s gigantic 1961 Cadillac Fleetwood limousine with her gloves and purse still lying on the back seat and the cap owned by the chauffeur, who owns the car to this day, still on the dash. There were checks written by Marilyn, personal notes, clothes, scripts, magazine covers including huge original photos of her Playboy spread – she graced the cover of the first Playboy ever – and anything else you could have ever hoped to see of Marilyn’s. The star, of course, was not here to celebrate with us having left the planet over 40 years ago but look who was wearing a gown that Marilyn wore to entertain the troops in Korea in 1951:
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Yesterday, iconic TV host Art Linkletter passed away. Even as a little kid Art seemed a little square to me but there’s no doubt that he pioneered many of the formulas of today’s TV shows with segments like celebrity guests, cooking, talking to kids and audience quizzes. His big two hits which between them ran from 1952 to 1970, House Party and People Are Funny, were massively popular. This ‘party game with cards’ spun out of the latter and continued in people’s living rooms what was so popular on Art’s shows - getting everyday people to do dorky stunts like trying to cash a check written on a watermelon and make fools of themselves, oftentimes ending up with a pie in the face for failing. It’s obvious that Linkletter’s tactics are still very much alive on TV today.
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These little hard plastic record coasters were all the rage in the 1950′s and 60′s when 45′s and 33-1/3′s were blasting from hifi’s all over the world and Tom Collins, Manhattans and Hi Balls were resting on them as everyone did The Jitterbug and Stroll, topping it off with The Twist. Some of the coasters were just cheesy versions of records featuring hit drinks:
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This is an amazing movie find, especially for a stamp collecting movie nut (which I’m not but I can appreciate the passion). Sixty pages of blank squares, each ascribed with the name of a 1920′s – 50′s star, from Academy Award winners to TV stars, “The Young Set”, International stars, World-Famous Women, Animal stars, Shootin’ stars (Western), Symphony stars, Singing stars, Comedians and every other category that Hollywood could possibly subdivide itself into.
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Well, the obvious tunes I would name are “September”, “Boogie Wonderland”, “Neutron Dance”, “What Have I Done to Deserve To This?” and I guess “I’ll Be There for You”. The rest of my favorite tunes are here. But if I have to credit an early source of inspiration for being in the music business and then becoming a songwriter it would have to be the TV show, “Name That Tune”, upon which this game is based and which I watched religiously as a wee nip.
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I’ll be waving one of these all day and night today as these are the final two performances of the First National Tour of my musical, The Color Purple. The whole 4-1/2 years I was writing this with Brenda Russell and Stephen Bray we waved these church fans and others from my collection of 60 from the 1950′s and ’60′s daily. I’ve been stuck on songs before but being stuck on a song for a musical when one has to consider way more then the singer or the content of the song like the plot, which we were writing at the same time as the songs, the dialogue, whether something should be musicalized or spoken, is there dancing to it or not, does the wig guy have enough time to make the wig changes, on and ever-increasingly on…, let me tell you the sweat pours down and these church fans, totally organic to what we were writing other than a couple decades too late, came in mighty handy.
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