This is an update to all those who have donated or signed up to participate in “The D”, my multimedia song-video-documentary extravaganza I’m recording and filming via a series of sing-alongs in Detroit from 9/10 – 10/1, 2013:

The wheels have begun to roll really fast now that we are only 5+ weeks out from going to Detroit to record and film “The D”!

First, an incredible array of fantastic locations in Detroit have signed on to let us record and film there.  They go from iconic outdoor locations both on land and water to inside museums, restaurants, schools, churches, synagogues, laundromats, car washes, radio stations, pawn shops, hat shops, hotels, recording studios, yoga studios, weave salons, and more. From the largest business enterprise in the city to the smallest hole-in-the-wall restaurant “The D” is representing the most vibrant spots and folks in the city. Not to mention a slew of famous singers and musicians who hail from the Motor City and will be coming to my studio in LA to participate.

I arrive in Detroit with a 12 person crew on September 9. We will be there through the end of the month in order to have enough material for the song, video and documentary.  Most of us live in Los Angeles and New York and share a deep love of and belief in Detroit. We will also be picking up many local crew members, interns and volunteers once we’re there.

I was in Detroit earlier this month hosting two fundraisers generously thrown for us by two amazing restaurants, The Whitney, and Vinsetta Garage. The Whitney was a 150 person event featuring sing-alongs and a great live 60s/70s funk band whereas the dinner at Vinsetta was a higher ticket, more intimate evening of just 25 people and about four hours of constant (incredible and mind blowing) food. I was most excited when Mary Wilson of the original Supremes walked into that one!

My third night in Detroit was spent at the Detroit Historical Museum where my portrait and some personal artifacts were on display as part of an exhibit featuring 50 iconic Detroiters in Jenny Risher’s beautiful Heart Soul Detroit book. A truly incredible moment for me, whose only music education was worshiping Motown, was when I walked in to see myself featured as part of the Motown section of the exhibit. Here I am with Martha Reeves (Martha & The Vandellas), Mary Wilson (The Supremes) and Miss Maxene Powell, the Motown etiquette coach who gave the groups all their signature poise and grace.

I want to especially thank the Detroit Historical Museum and the Detroit Historical Society for the great interest and support they have shown to “The D” ever since this most wonderful evening.

At the end of this coming week, I’m hosting a week-long production confab at my house in LA where the director, producer and other principals will be flying in to plan the actual production schedule and figure out the logistics of such an ambitious project. We are incredibly well organized for something of this scale on the somewhat limited budget we have (and why the search for funding will continue until the very last frame of the documentary is cut). Every single person on the team now is beyond enthusiastic and ready to roll up their sleeves and do whatever it takes to get this done, my personality MO since the beginning of my career. I can’t tell you how great and inspiring it is to work inside of an energy force like this and I hope as “The D’ is realized and these updates get more consistent that that energy will uplift you as well.

Once again, I want to thank everyone who so astutely and boldly donated to “The D”. I also want to thank people receiving this because you’ve signed up to participate as well as those who came to the parties at The Whitney and Vinsetta Garage. It’s that spirit that has kept Detroit going through the decades of glut and gluttony and it’s certainly the primary force in re-imagining the city now.

For more information on “The D” go here. (https://www.alleewillis.com/WeSingTheD/)

To learn the actual song go here. (https://www.alleewillis.com/WeSingTheD/sing-or-play-the-d.php)

For more of Allee’s Detroit go here. (https://www.alleewillis.com/detroit/)

Zsa Zsa Voom!

When Sid Krofft – let’s stop and take a breath right here – Sid Krofft! of H.R. Pufinstuf and Land of the Lost and wayyyy more fame – when Sid called me two months ago and made me put Sunday, June 30, 2012 in my calendar he told me that it was a nonnegotiable-under-penalty-of-death-do-not-cancel-under-any-circumstance type of event. I trust this man enough to know that that means I should write it in my calendar in cement. Then he told me where we were going: to ZSA ZSA GABOR’S house for her husband, Prince Frederic’s birthday party!! Had I actually been writing in cement there’d be a big fat Allee Willis face print in it right now because THAT’S HOW FAST my head bobbed to my chest in ecstasy and disbelief upon hearing WHERE we were going. Besides that, Sid is one of those people who I clicked with the second we met and we always have the greatest and most comfortable time together.

Sid lives very close to another good friend of mine, Beverly D’Angelo. The plan was we would meet at her house exactly 45 minutes after she arrived home from a Lego extravaganza in Minneapolis. Beverly and I go back to the 1980s together. She’s hysterical, a great friend, great actress, and dresses with flair, a quality I can relate to. She looked especially great on Zsa Zsa D-day, which was amazing as her plane was late and she got this together in 15 minutes:

So me and Beverly in my car…

… follow Sid and Donnie and Teri Moll, who live smack dab in between Sid and Beverly, winding around Mulholland Drive into the immaculate bowels of Bel Air to Zsa Zsa’s house. The first person we met was the Prince himself. You see this guy on the news and they always portray him as a nut but I have to tell you, nut or not, he’s an excellent party host. And trust me, I know a lot about being an excellent party host.

The kind of party host who takes care of every detail:

Price Frederic also hand-carried out out every morsel of food and set the table himself.

It was deli-gone-insane. Every kind of sliced meat on the planet…

… including these impressive linoleum looking slabs:

A big topic of discussion was what the white stuff was in the middle of this pork chop. Was it a Porturkey?

Zsa Zsa and the Prince’s house is THE Hollywood house that anyone who loves Hollywood, old Hollywood, dreams about. Built by Liberace (and where the HBO biopic was shot), Lee sold it to Elvis, who then sold it to Zsa Zsa – three of the most extreme personalities in show business history, all of whom floated their nuttiness around in Liberace’s famous piano-shaped pool!

Everyone  at the party, regardless if they had been there 100 times before, was snapping photos so fast it was like their index fingers were on automatic pilot. But it’s SO not my place to plaster Zsa Zsa’s kitsch-on-the-elegant-tip domicile all over the Internet. So I shall have to leave it at this one shot of Beverly waiting for her drink next to the Oscar replica/ gold champagne bar as an example of the supreme 70’sness of this most hollowed mansion.

And though Zsa Zsa was ensconced in her bedroom there was lots of Zsa Zsa around.

Here’s Sid with Zsa Zsa:

This wall was not only gold but whatever the finish is had little chunks of raised goldness in it:

BTW, though the dog resting so comfortably on the pillow wasn’t real, many people pet him.

It took all my strength not to straighten this copper relief of Zsa Zsa:

As I’m posting these photos I realize… How completely crazy am I that I didn’t go to the bathroom there?! OMG, if textured gold walls are in the house what must the bathrooms look like?! How could the undisputed Queen of Kitsch miss an opportunity like that??!! Especially as this is the decoration on the outside of the bathroom door:

I know the obvious question is, “But did you meet Zsa Zsa?”.  The answer is no because at 96 she was too frail to attend. But there was a live video feed going into her bedroom so she didn’t miss a thing. The camera followed Prince Frederick everywhere, including when he danced with Madame.

Wayland Flowers may be long gone but Madame is still very much alive!

As is Pee Wee Herman:

All in all, it was a Zsa Zsa Voom Sunday! As we alighted down the red astro-turf carpet to get our cars…

… we all agreed it was one of the best looking Sundays we’d had in years.

Va Va Zsa Zsa Voom!

It’s no secret to anyone within miles of  my mouth that constantly babbles on about it that I love my hometown of Detroit, the city that gets more bad raps than an unpopular war, deadly criminals, and oil spills put together. If one had unprejudiced EYEballs to look through they would see the same beautiful and spirited city that I see, the one whose people – perhaps not those who fled to the lighter color suburbs  –  still believe in and wake up with the soul that Motown pumped into their veins still cursing through their bodies to make things better. Some of that stuff musta stuck personally to me as I seem to have become in my old age the cheerleader I always wanted to become in my young age, though now for the whole city as opposed to just the Mumford Mustangs, whose colors I bore at my graduation oh so many years ago.

As most of you reading this know I’m heading back to Detroit the entire month of September, a month I helped popularize in song!,  to conduct daily sing-alongs in order to record, “The D”,  the new theme song for the new Detroit I wrote with Andrae Alexander and to simultaneously film near round-the-clock in order to make multitudinous videos and an accompanying D documentary.

Raising money to do this, or for anything in my career, has been my least favorite part of being an artist. I hate dealing with money. That’s not why I make art/music/videos/web worlds/etc. It’s antithetical to this pure artists’ brain and being to ask for money. But as an artist who 90% of the time has funded themselves, and as a songwriter who has watched my own and others’ work get essentially cast into the public domain, operating under the digital assumption that songwriters no longer deserve compensation, unless there’s some gold or green in the bank ain’t no nothin gon happen no mo.

So I launched an Indiegogo campaign to raise the money for “The D”. But I’ve been pretty shy about confronting the bane of my career – asking people for money so I can put some gas in The D tank and actually pull off what most artists would want 1,000,000+ clams to do – spend a month getting every single person in Detroit who wants to be on the record or perform in the video/film to do exactly that. And I’m prepared to do it with scotch tape and string, the usual way I’ve have to execute my career, walking the money gutted path of pennies, stripping down the grand vision that I see in my head to the thinner version my pocketbook can afford. The good news about this is that without those limitations I doubt I ever would have stumbled onto the KITSCH style I’m known for in all areas of my art –  other than my music, which remains on its Grammy high. And for this I thank those who have been either too cheap or ball-less or working at entertainment conglomerates to support me just to sit back and watch from behind the fence while I hit the home runs for those who HAVE pulled their checkbooks out.

All of this rambling to say, THIS WEEK ONLY, if you donate at least $15 to “The D” you’ll automatically be entered into the raffle to win one of an excessively limited edition of personally-autographed-by-me “Keep Your EYE on Detroit!” dashboard EYEballs in addition to all the other perks associated with the amount you contribute! Thank you, Archie McPhee, for the generous donation of these ocular wigglers.

This nifty EYEball shaker will not only liven up your car dashboard but will be a constant bouncing reminder that you’ve put your money where the underdog is and be a part of calling attention to a true American city that’s reinventing itself very much in the spirit that the United States itself was created. Forge into new territory and do it for yourself. Detroiters have no government to rely on, hell even the mayor quit, so people there are just rolling up their sleeves and executing ideas that they wouldn’t have the balls to even think of let alone build in other cities.

I’ve long said that the times that I’ve been perceived as hot in my career aren’t actually when I’m hot. It’s in the valleys when you think nothing is happening and no one’s paying attention to you because  they think you’re over when you do the work that shoots you to the top of the mountain in your so-called “hot” periods. That’s what it’s like in Detroit now, the Wild (mid)West, the city that slid first and watched all the others fall in their arrogance of “that couldn’t happen here”, and the first city to embrace, at least from the inside, that radical change isn’t re-building, it’s re-imagining and re-inventing.

You can feast your real EYEballs here where I’ve just posted gaggles of photos from my trip to Detroit in April. Then try to get your real plastic EYEball here by helping me pull off this insanely massive project I have in my head to do in Detroit this September. If one just keeps their EYEs pointed toward the ground and walks the same path one’s always walked you get the same life you’ve always had. But if one keeps their EYE on Detroit, you’ll see the path changing, leading to a very bright light in the future. Please be among those who help me shine that light! http://igg.me/at/WeSingTheD EYE will appreciate it forever!

YOU + (at least) $15 = Making Allee very happy.

Full deets on da D: http://igg.me/at/WeSingTheD

 

Mother’s Day has always provided supreme opportunities for kitsch. Be it flower arrangements, stuffed animal displays in front of gas stations for last minute pick-ups, or greeting cards – store bought and handmade equally qualifying – Mother’s Day is a kitsch karousel that never ceases to go round.

Almost everything I owned growing up in Detroit was thrown out when my mom passed away suddenly when I was 16 and my father remarried. Aside from a rubber doll I got for my first birthday whose head was tied on with a string and a Ben Casey bobble head with a hole in his heart, the result of me shoving a pencil through it after an unrequited love incident at 12, I had almost nothing to remind me of the sweeter life that preceded all of this. (Which is why it meant so much to me to get back into the house I grew up in a few weeks ago.)

About 20 years ago, after years of thinking these two medically deficient dolls were the only artifacts of Little Allee that remained, my brother shipped me my old steamer trunk that had been hogging a corner of his garage since I graduated college. I had always assumed it was empty but inside was a small cigar box that contained letters, post cards, hamburger recipes, and this Mother’s Day card I had made for my mom when I was God knows how old. I hope it wasn’t too old as my interpretation of the world was slightly naive.

I have no idea what country Mekoila is right above the S. Pole and I’m happy to see that I thought California was important enough to hog the entire West side of the United States. I have no idea if I actually thought that Michigan, where I drew my happy little self in, was really the east-most state or if I forgot to leave room for it when I drew this map that looks more like a cross-section of a cow with different meat cuts in it. I hope you can see the little thumb I gave Michigan for accuracy right above my left hand. And I’m happy that I took the time to draw myself in my favorite type of pleated dress in grades 2-6:

I’m the tall one in that photo with my two cousins, Sue and Marjorie Singer. And if memory serves, that’s actually a giant Mother’s Day rose tucked into my belt that I made out of a toilet paper roll and tissue paper to give to my mom a couple of years after I made this card. My mother’s name was Rose so that flower had a lot of significance in our family.

I definitely misspelled ‘You’re’ but I’m happy to see that I gave the rose much petal definition and that the leaves look like jubilant uplifted arms as it was a very happy rose and a very happy Rose that celebrated Mother’s Day that year. I did, however, completely cheese out on the poetry I included inside. I have no idea where I copied this from but I’m happy to see that I knew enough as a budding designer to carry over the rose logo.

Thankfully in my later years I progressed to the point where I didn’t need someone else’s words to express how I was feeling.

Never one to leave space empty for long, I ended the card with a picture of a present. Of course, my mom’s only present from me that year was this card but as a first grade teacher she always appreciated the effort I put into art.

Happy Mother’s Day to all the moms out there. And Happy Mother’s Day, Rose, wherever you may be now.

Just got back from an amazing trip to Detroit where I was laying the groundwork for the big project I’m coming back in September to do there and the project for which I’ve just launched a fund-raising campaign in order to pull off.  Below are are a couple of great stories that came out about my exploits. Please, please, PLEASE pass the link to the Indiegogo campaign for “The D” around so your fearless Kitsch leader can spread all the kitsch and glory around Detroit in September and pull off the greatest sing-along/theme song/video/documentary known to mankind!!! (That may be stretching to a bit but that’s what it feels like in my head!). http://igg.me/at/WeSingTheD

Here’s a great peice about “The D” by Karen Dybis, who I first spoke to a couple years ago when she was hired by Time Magazine to blog about Detroit for a full year. So she knows all about my passion for Detroit.

And here’s a great story (with slideshow and video) that ran on the news last week in Detroit:

Please help fund “The D”!!! And please spread this link around to anyone who you think might donate or help in any other way: http://igg.me/at/WeSingTheD.  Onward Detroit!!!

 

Autographed in lipstick by Annette, one of my earliest star obsessions and with whom I shared much chocolate milk watching after school every day, this portrait has long been one of the most cherished renderings in my kitsch likeness collection. I found it laying face down in a puddle outside of a thriftshop in the pouring rain in the mid 80’s.

That big blotch of red  in the bottom left corner is a cut out of her actual lip print on cellophane. The lips were almost all there despite sitting in that puddle for God knows how many days, weeks, or months and held on for at least another 20 years until the sun pouring through the window smiling at them at my place everyday finally took it’s toll. Unfortunately, Annette and her lips finally lost their long battle with MD today.

Don’t know who Tony is but his heart had to have skipped a beat getting this autograph from Annette written entirely in Love That Red or whatever 50’s shade she wore.

The exact same lipstick as the lip print, gone but not entirely forgotten:

Just like Annette to whom ‘now it’s time to say goodbye…”. R.I.P….

 

Just got back from a quickie 2-1/2 day trip to the Motor City to go to the pre-release book signing party for Heart Soul Detroit, Jenny Risher’s fantastic photo essay book coming out in March that I’m in featuring 50 iconic Detroiters. Thrill of thrills sitting next to Martha Reeves of Martha and The Vandellas, one of my all-time favorite Motown groups, as we signed our pages.

This wasn’t my first encounter with Ms. Reeves. In 2008, along with Congresswoman Joanne Watson, she awarded me my first Commendation from the Detroit City Council.

I was also in Detroit this trip to lay the groundwork for “The D”, the massive unofficial official Detroit theme song I’m going back in September to record with potentially hundreds of thousands of Detroiters.

As such, I met with Tyree Guyton, who created one of Detroit’s most precious jewels, The Heidelberg Project.

I seriously hope to collaborate with Tyree. I spent almost every Saturday of my youth climbing on piles of crushed cars and assorted junk, artifacts that influence my art style to this day and upon which Heidelberg is built. My father’s scrapyard was just down the street from Heidelberg so I treasure that area of the city.

I also did an unexpected Q&A with some seriously talented kids at Mosaic Youth Theatre.

They have the good taste to be doing some of my music at a program they’re doing at the Detroit Institute of Arts in March.

I may end up coming back for that because these kids were seriously great and evolved. And, of course, I’ll use any excuse to come back for this…

… Chef Greg and his insanely incredible tasting Boogaloo Wonderland!…

…which I LOVE so much I fly him to LA to serve them at my live shows.

Chef Greg’s D’Emilis Cafe is on Curtis and Wyoming, the corner I used to get off the bus on to go to high school back in the day.  I invited some family and friends there on Saturday before I had to get on the plane to come back to LA.

Chef Greg made me a peach cobbler for the plane.

Which was good because a bottle of water spilled in my backpack and drenched all my money which was still soaked when the food cart came down the aisle selling the crappy plane food.

So here’s to dry money and plenty of it, Boogaloo Wonderlands, and a bright future for the once and future city of the future, Detroit!  See you in September for some serious Dancin’ in the Streets!

On November 8 and 9, 2012 I reprised BaDeYa, Baby!, my sold out one-woman-show-with-25-people-in-it at NoHoPAC in beautiful North Hollywood, CA. Just as the shows that preceded it on September 21 and 22nd, it was a salute to my very 1st hit, “September” by Earth, Wind & Fire, the first line of which is “Do you remember the 21st night of September?”.  All the hits, sing-alongs, dancers, games, prizes, Boogaloo Wonderland sandwiches from my hometown Detroit, not to mention the big ol’ greasy foot massages conspired to make these evenings no normal singer/songwriter fare! So enjoy the show and the next time I do this I hope you BaDeYa with me!

See all 450 photos here. November 8, 2012 show coming  SOON.  Until then. BaDeYa!

PHOTOS FINALLY UP from my sold out ’21st night of September’ Ba-de-ya, Baby! first show! https://www.alleewillis.com/photos/ba-de-ya-baby/index.php. Photos from the second show coming as soon as I go thru the remaining 3000 pics.

Ba-de-ya indeed as the shows were so successful I’m doing them again Nov. 8 & 9! TICKETS HERE: http://www.brownpapertickets.com/event/258274


On May 8 and 9, 2012, I took a giant leap in my evolution and broke through an almost 4 decades-long bout of stage fright, performing two sold-out performances of my Super Ball Bounce Back Review, a combo concert/sing-along/party extravaganza at King King in Hollywood.

Lack of performing has always been a raw, gaping hole in a long career that’s stretched across various fields of the arts, despite the fact that I’ve always had the balls to throw myself off cliffs as I periodically dive-bomb into pursuits I know nothing about. I’ve hosted multimedia theme parties where I’m perenially on mic so that even the conversations I have with everyone are blasted throughout my house or wherever else I host these beasts. And God knows I walk around in hair and clothes that makes peoples’ necks snap if they’ve never gotten a gander of me before. Throw in that I’ve sold 50,000,000 records despite the fact that to this day I have no idea how to read, notate or play music, and I sold hundreds of paintings before I realized that you mix colors to get different colors. So backing away from displaying myself publicly made absolutely no sense.

But then I realized that this theme of living fearlessly was at the heart of everything I ever created. View life as a creative process. You are the canvas. If you’re stuck with a weakness, for God sakes turn it into a hook. Nine times out of ten, you’re the bogey monster scaring yourself shitless so just get out the way! So I finally did.

So here then are four videos from my Super Ball Bounce Back Review.  If you like them and are going to be in LA on September 21 and/or 22, I’m rising again at NoHoPAC in a salute to “September”, the first line of which mentions the date of the opening night.

“September”:

“Boogie Wonderland”:

“Neutron Dance”:

And the whole enchilada:

Badeya!