Here’s a few shots from the last rehearsal yesterday before I make another go of it live. Both shows tonight and tomorrow night are thankfully sold out, though there may be a few places to stand by the bar. See you there!

 

Many mouths to feed as my live Allee Willis’ Super Ball Bounce Back Review is only two days away and we be deep into rehearsals. So this 36 incher from Big Mamas and Papas was the only way to go.  Actually it wasn’t… There’s also a 54 incher. And it’s mmmmmmmmmmm good too!

My esteemed bandleader, Andrae Alexander, takes the first bite:

I wish I had time to write at length this morning because I can’t even tell you what a SPECTACULAR evening I had last night at my high school in Detroit, the greatest one of all, Mumford, about to be destroyed by the wrecking ball but still the most spirit-filled place in the city. Kids from the  choir, dance company and band performed some of my greatest hits while I told stories about how they were written. So many of my classmates showed up, some of whom I hadn’t seen since I graduated, some of my family, the ones who weren’t afraid to show some soul, leave the burbs and come into the real city, friends I’ve made on my last couple visits here and, of course, the wonderful and dedicated Mumford teachers, principal and former principal, and staff who helped so much to make this one of the favorite nights of my life.

I have to race out of the hotel seriously fast and check out a recording studio because I’m hell-bent and determined to collaborate with the entire city, at least any of those who want to be on a record, on a Detroit song that I’ve been working on back in LA with my upcoming live show bandleader, Andrae Alexander. Then race back to the hotel to change and get over to Cass Technical High School where the City Council will be presenting me with the Spirit of Detroit Award, and where I’ll also be attending another performance my musical, The Color Purple, all the while trying to edit the close to 600 photos taken last night, not to mention at least 10 hours of film from cameras we placed all over  the auditorium.

I hope to be blogging a lot about this next week once I’m back in LA so please check back then. Until then, I’m cheering for you, Mumford High! And Onward, Detroit!

You all know of my love for the physical structure of my classic Deco baby blue high school in Detroit, Mumford, as well as my dismay that the wrecking ball is hitting it mere months after the concert I’m doing/hosting there THIS Thursday night. One of the MANY reasons the school is near and dear to my heart is also because it was made famous in the film I won a GRAMMY for, Beverly Hills Cop, when Eddie Murphy wore a t-shirt bearing its name throughout the movie.

So it upsets me even more that features like this, all over the school, are about to be nothing more than a pile of crumbled limestone:

One place inside Mumford I loved like no other was the auditorium.  Here’s a photo of when I was there last year watching rehearsals for when I conducted the marching band playing a medley of my greatest hits. I was sitting in my favorite seat, Row A, first seat on the middle aisle.

Here was Row A, seat 1 yesterday as wrecking ball syndroome has already hit the school:

Here I am leaving the school:

At least there’s some small concilation for the crime of classic architecture demolition. Now if I could only get that clock!

Rehearsals for my May 8 & 9 return to the stage in my Super Ball Bounce Back Review have begun. Given what happened at my last show in October this is very significant!

I also leave for Detroit on Sunday where I’ll be hosting a benefit greatest hits concert at my high school and telling stories of how some of my biggest hits were written while students perform the songs. This includes kids from the dance and drama classes, concert choir, marching band and ROTC drill team.

Don’t even ask me how excited I am about that! Plus it gives me a chance to rehearse some of the stories I’ll be telling at my live show in LA in May. I’ll also be speaking to students at my father’s high school as Cass becomes only the second high school ever to perform my musical, The Color Purple. And all this is stuffed in between 8 trillion meetings with movers and shakers, big and small, to feel out a couple of long term projects that I want to do in my beloved home town.

All of which means I’m going to be completely insane over the next 30 days, which will inevitably cut down on my blogging activities as time I may have spent writing is now going toward prep and rehearsal of those ever-important two days in May, not to mention my week in Detroit.

As a result, I’m going to try and become an interested little tweeter. I don’t know if this will work as I’ve resisted regular tweeting ever since the bird first launched. As an avid natural writer, I’ve always viewed the constant barrage of 140 characters as an invasion to my headspace. I’m also someone who likes to think about what I do, so longer than 140 has always suited me best. But, at least from where my head is right now, tweeting may save me as I try to report in tiny chunks as opposed to longer daily excursions. Here are my tweets from yesterday documenting my first steps toward the stage again:

Rehearsals for my Super Ball Bounce Back Review at King King May 8 & 9 have begun! http://kingkinghollywood.com/


(BTW,What are the chances of there being another A. Willis gracing the stage with me? Well, that’s exactly the case here. That’s A. (Akua) Willis in the hat.)

Perhaps one day I’ll learn the lyrics to my own songs… Creeping slowly through Boogie Wonderland.

Slashing the script right outta da gate with Richard Dorton, my SKILLED and WELL REHEARSED tech director.

I know these are nothing dramatic and so far the only way I’m interested in tweeting is if I can have a photo as a punchline. I put this one up this morning, though the photo’s just a photo and not a punchline:

We’racing 2 finish horror film that opens my new show @ KingKing May 8&9. Best of horrific tech failures frm last show.

I hate typos like ‘We’racing’. That happened in efforts to cut down to less than 140 characters so a photo could accompany the tweet.  In the old world I also wouldn’t have wanted to give away the fact that I was making a horror film of the most Titanic moments from the last show, but in a tweet-filled world there’s no room for secrets.

Today’s a free day at home, marking the start of the three day/three suitcase packing process. Hopefully the bug hasn’t hit me full strength just yet and I won’t become one of those tweeting fools who shows you every single thing I’m putting into those suitcases.

Of course, I couldn’t resist and just tweeted that. Now I just need to knock this down to 140 charcters:

My nimble assistants, Dina and Suellen, cut face masks and assemble souvenir multipurpose “Unisex Pendants and Keychains” made out of bubblegum charms that will be for sale at Allee Willis’ Super Ball Bounce Back Review May 8&9 at King King in Hollywood.

 

 

Before I co-wrote The Color Purple musical I had little interest in theatre. I had no desire to see people break out into song, oftentimes seemingly for no reason, and sing in that shrill kind of Broadway singing way, and leave not understanding or enjoying what I saw anyway. But I jumped at the chance to collaborate on TCP because it was such an incredible piece of literature, the most soulful on the planet.

After depriving myself of the genre for a lifetime, once I got the gig I spent a year in every regional theater, dinner theater, high school auditorium, every and any place I could bone up on musicals. Writing The Color Purple, though easily one of the hardest and most intense things I’ve ever undertaken, was also most pleasurable. And in the mere act of writing it I really understood that the theatre was not the stagnant-leftover-from-the-old-century medium I thought it was but, rather, a daredevil medium where you never know what’s going to happen as one actor coughs and it can turn the whole show.

Another thing I learned, as evidenced by the show as it’s currently being performed  at The Celebration Theatre in LA, is that this is a medium in which work can change drastically depending on who stages it. And I saw just exactly why I put up with five years of tears, laughter, compromise, bending so far over backwards I thought my body would split, epiphanies, road blocks and more, I.E. a microcosm of life stuffed into five years of  round-the-clock days, rewrites, and did I mention rewrites?

When the show opened in New York in 2005, we had a cast of 31 actors in the second largest theater on Broadway. On tour, the cast shrunk by a few actors but the stages were/are just as big, the auditoriums even bigger, and the staging was just a slightly skimmed down version from what it was on Broadway. But at the Celebration Theatre I got to see 19 actors stuffed into a 99 seat house, something I couldn’t have imagined working, but it was MINDBLOWING! Not only did everyone do their thing and then some, the intimacy of seeing the show staged for a tiny room with audiences on three sides of the stage worked so well for the piece I can’t tell you!

If you’ve never seen the musical you might think that this is a heavy, depressing couple of hours but ha ha, it’s a comedy, and an incredibly inspiring and uplifting adventure of someone who goes from less than nothing to the other end of the rainbow. If you live in LA I encourage you to see it. It’s here until the end of May.

Here are some photos from opening night at The Celebration Theatre a few weeks ago:

With my TCP collaborator, Stephen Bray:

With LaToya London, Shug Avery in the current production and Nettie in the second National Tour:

With Stephen and Michael A. Shepperd, a fiiiiine Mister indeed!

With Niketa Calame, an hysterical Squeak.

With Kelly Jenrette, a fantastic Nettie:

With Sixx Leah-Patrice Carter, Church soloist, and Lorie Moore, one of the hysterical Church Ladies:

With Harpo a.k.a. Terrance Spencer, and ensemble players Jonathan JT Thompkins and Akula Lyman.

With TCP director Michael Matthews, mo Church Ladies, and Kat Kramer.

With Na’Kia Bell Smith and Janet Washington, excellent young Nettie and Celie.

The opening was star-studded.  Here I am with my ol’ pal, Dana Delany.

I love Wendy Malick!

So excited that Robert Forster was there:

And Sharon Lawrence too!:

With Dana Delany and her Body Of Proof co-star, Nicholas Bishop

Director Michael Matthews, Artistic Director of the Celebration Theatre, JohnMichael Beck and the cast:

Go see The Color Purple and make Allee very happy!

Yes, though one might find it hard to believe after my last foray into reclaiming the stage, I’m hitting it again in my new, improved and sans-the-idiot-tech-guy show, Allee Willis’ Super Ball Bounce Back Review!  Two nights only, Tuesday and Wednesday, May 8 & 9 at King King in Hollywood. Lots of music, visual treats, stories, dance, games, all the hi-art-meets-kitsch mayhem you know me for PLUS MORE!!  And many things I’ve never attempted before. And did I mention prizes? So I hope I see you at Allee Willis’ Super Ball Bounce Back Review May 8 or 9 at King King!

BUY TICKETS NOW!

Tickets also available at kingkinghollywood.com.

 

New Year’s Eve, 2011. I’m coming down Sunset Plaza, a really windy road with million dollar homes right above Sunset Blvd. in LA. I’m in my Green Beetle, which is a lean and fast machine.

Sunset Plaza’s a pain in the ass to drive under any circumstance but nightmarish should you end up behind a slowwww driver, which is what fate dealt me this New Years when I was in a big hurry to get to my destination, my friends Nancye Ferguson and Jim Burn’s pad, an ultra modern built-for-Brian-DePalma-in-the-70’s house that teeters on stilts overlooking the city. Here’s the view from the balcony:

There are very few parking spaces to accommodate a small fraction of the 50 people on their way up there. If you don’t get one of those spaces you have to turn around in a teeny tiny cul-de-sac and drive a quarter mile out the little windy road with hardly any shoulder and a drop-down of hundreds of feet. And then you’re back out on the main winding road where there are about two parking spaces for every fifty people. No way am I limping back up that hill on foot! So I start leaning on the horn behind this little black car driving at funeral speed. To my credit, I only honked when there was enough room for the stupid driver to pull over so I could pass. Finally, after five minutes the car hugs the curb and I whiz past, gunning it extra hard to show my annoyance even further.

I get to the house and thank God there’s a space left. I pull in, put some lipstick on and send a few emails on my iPad before I go in. A couple of cars pass me and I don’t see them coming back down the hill, which means they must’ve found parking spots too. I finally get out of the car and trudge the last 20 feet up to the house. Standing there is my good friend, Beverly D’Angelo, with a guy I don’t know. Beverly and I go way back and I love her. She’s also an excellent party guest, a criteria I have incredibly high standards for, and has been coming to mine for years.

Just as I’m getting in hugging range I hear Snappy P yell, “Green Beetle, that must have been Allee!”. “You fucking asshole, you almost drove us off the road!!,” screams Beverly as I approach. Oh shit, I rarely misbehave behind the wheel anymore and now I’ve gone and terrorized a friend. But then it gets worse, “Meet Sid Krofft,” she says, referring to the mystery man next her, adding that she brought him to the party specifically to meet me. Now I’ve been waiting to meet this guy since the late 60’s when his puppets, marionettes and insane live action shows started ruling TV and now I’ve almost killed him. “I wanted to get out of the car and tell you what an asshole you were” he says. Thank God the Beetle was turbo-charged and he didn’t have a chance. I ate a lot of crow for the next few minutes, but it was immediately apparent that Beverly was completely right. This guy was a kindred spirit and we hit it off like we had known each other for decades.


Though Beverly had told Sid he HAD to come to Willis Wonderland, I went to his place first, now a couple weeks ago. I took hundreds of photos but I can’t show any of them because Sid’s a really private guy. But it’s as handcrafted as my place is times 6 trillion-on-steroids.

In actuality, I didn’t really get full tilt into the Kroffts back in the day when their shows were on the air because by then I was way way way deep into records and the radio. As a fan and later as a songwriter, when my radio habit lurched into twelfth gear and I lived and breathed music every millisecond of every day, I was still aware of that Sid and Marty Krofft name and that it stood for something crazy. But it really wasn’t until so many friends of mine insisted I go to an auction of their props at the Beverly Hills Hotel in 1998 that I realized the extent of that craziness as well as the magnitude of its reach. As a kitsch lover, how could I have not been familiar with every single detail of the Kroffts’ career, the guys on the throne at the top of the kitsch mountain??

YouTube, of course, makes for an excellent crash course. So I’ve seen more of the Krofft brothers’ magic in the last month than I have in my lifetime. And my respect and discovery of the depth of influence their work had on me subliminally has been a revelation. H.R. Pufnstuf is probably their most classic:

I don’t like to wake up early for social visits but at 82, Sid Krofft is in REMARKABLE shape, jogging 9 miles a day + a couple hours in the gym, so he’s raring to go when the sun comes up. 10:30 bright and early a couple of Tuesdays ago he and Beverly were at my doorstep.

I even got it together to cut up healthy food for him.

This is a BIG step for me as this is what’s more likely to be on that table on a regular basis:

Sid was as fascinated by Willis Wonderland as I was of his hand-built abode. As my yard is part of my living room, we hit that first.

Although it was raining when I took the following shot, you need to see those GORGEOUS 1950’s fiberglas fish lounges sans people:

As we strolled around outside we were joined by Donny Molls, a great artist and Sid’s next door neighbor:

We stopped and chatted in every room:

My downstairs, where that shot was taken, is particularly packed with memorabilia, some of which is Krofft Brothers stuff I’m happy to say I had the good sense to collect even if I wasn’t sure exactly what it was when I bought it.

If you’ve never seen Electra Woman and Dyna Girl, double up your sedation and watch now! EASILY one of the greatest title sequences in the annals of kitschdom:

Thank god I had a few View Master disks of Electra Woman and Dyna Girl in my collection too:

Sid and Michael Jackson were great friends so I pointed out some of my primo MJ cheese:

You really need to see what I’m pointing at. Yeah, I got the doll and the puzzle like a zillion other people…

…but who else do you know who has the drink cooler?! This is easily my favorite piece of MJ memorabilia I own:

When we got to my dining room…

… Sid posed in front of Mr. Wah Wah, a stunning portrait painted by my alter-ego, Bubbles the artist.:

We spent a lot of time in my recording studio too.

Although Sid has a computer he’s not obsessed with them as I am of my 11 networked Macs. So what we really wanted to do was show him how much of his stuff is online.

And there’s gaggles of it – H.R. Pufnstuf, Land Of The Lost, The Bugaloos, Lidsville, The Donny and Marie Show, not to mention Electra Woman and Dyna Girl for starters. And no exploration of Sid and Marty Kroffts would be complete without the Brady Bunch Variety Hour:

The Brady Bunch is certainly coming up A LOT lately!

One of THE most classic and cheesiest shows EVER on TV was called Pink Lady and Jeff. 1981. I remember being so intrigued by that nutty title that I tried to catch the show whenever I could. Imagine the complete and total ecstasy-breakdown I had when I saw the Pink ladies immortalizing my song,”Boogie Wonderland”:

Watching this again with the creator of that show who was totally in on the cheese joke of it all was even more thrilling. As we were poking around doing searches on YouTube I discovered that not only did Pink Lady do that quintessential performance of the song, they also recorded it. I’m still gasping for breath:

What a day I spent with the gang. Here’s one last parting shot for the photo LP before everyone left:

I sho love me some Sid Krofft!!


As we speak, I’m racing out of the house to be on Dr. Phil with Sly Stone of Sly and the Family Stone fame. Normally  I’d be a little excited to be on TV but the show is all about saving another iconic singer from self-destruction. A couple of weeks ago I got a call from a mutual friend who’d worked with Sly back in the heyday to see if I was interested in writing with him because he was clean and sober and a comeback felt possible.

I can’t even tell you how much influence this guy had on me. One of the earliest purveyors of fusing together different genres of music, Soul, Funk, Pop, Psychedelic and Rock, and doing it in insanely wild outfits with a message of peace and celebration. And lets not forget that The Family Stone was the first group EVER to have female players in the band. The music was uplifting and life enforcing. But we all watched or heard about the life slipping out of Sly until there was no music anymore.

Having nothing to do with the phone call asking me if I wanted to write with Sly, I got an e-mail just as I stepped on the dias to honor Lily Tomlin last friday asking me if I would be on Dr. Phil. The show was to be devoted entirely to Sly. I was honored and, trust me, if I can be of any support to someone so influential on me and any other writer, singer, arranger or producer of popular music I’m there. So they shot an interview at Willis Wonderland where I just talked about why Sly was so important in music and that I believed he absolutely could rise again.

And now today, after the show being on-again and off-again all day yesterday as Sly decided whether he could commit to Dr. Phil staying on him to make sure the path stays straight and narrow, I’m racing to throw myself in the shower, find a couple outfits that I don’t have to iron, and throw them and myself into the car that’s coming to take me in mere minutes to take me to the Dr. Phil (sober) House. I have no idea what I’m walking into, both in the near future with Sly’s family there, and in the little farther out future when we (hopefully) start to write. But no one is rooting harder for Sly to once again Dance to the Music and be an Everyday Person ( know I took liberty with People). He’s a noble and just cause and soon I hope to be talking about us co-writing a nice big, fat hit for 2012, The Year Of The Sly.

I’m sure any kitsch lover has a similar dream – having dinner with the kitschy-kitschy-cuchi Charo and bonding like you have been best friends for 30 years. Such was my evening at composer Pietor Angell’s pad with the aforementioned singer, actress, Flamenco guitar virtuoso, CHARO!

Maria Rosario Pilar Martinez Molina Baeza a.k.a. Charo was very nice when we met, no star attitude detected at all, but I knew she had no idea who I was. I made my move when she walked into the living room alone to get a sweater. I told her I loved her spirit and undying devotion to being herself. I also told her I knew of what I spoke and started spitting out a list of songs I had written. Usually people go full-tilt bonkers when I get to “September”,“Boogie Wonderland”, or the Friends theme, but it was “Neutron Dance” that did it this time. Charo went firecrackers, indecipherable words spilling out at 120 mph as she told me she’d done the song in her act. Throughout the evening she proceeded to sing little pieces of it to me. I had no idea what lyric she was actually singing as the accent makes most words undetectable but it was Charo, so who cares?? It was fantastic!!

Seeing as I never knew that this iconoclastic kitsch Goddess did my “Neutron Dance” I almost had a heart attack when she broke into dance as soon as dessert was over.

If you were expecting the entire choreographed number we all can safely assume that that will be coming as the friendship progresses.

I actually prefer intimate moments to full blown peformances. It’s like being privy to Roddy McDowall‘s private footage of Natalie Wood, Paul Newman, Jane Fonda and the hundreds of other stars he filmed casually whenever he went anywhere, including here at Willis Wonderland. I don’t have the footage handy but on evenings such as this one that included the likes of Roddy, David Arquette, Lipsynka, Paul Reubens a.k.a.Pee Wee Herman, Lynne Stewart a.k.a. Miss Yvonne, Debi Mazar, me, Snappy P and Pamela DesBarres, you get a much better idea of who the star really is than watching some interview or performance with them on tv:

I hope you have a happy Monday that includes your own personalized version of Neutron Dance as I offer a toast to Charo with the champagne that was served at our dinner with actual flecks of 22k gold floating in it:

I’m toasting that more adventures with Charo be coming in the very near future!