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As we speak, I’m most likely on a plane to my alma mater, the University of Wisconsin, where I’ll be conducting the Marching Band who will be playing my big hits at the Homecoming football game on Saturday. This is not only exciting but insane as I don’t read a stitch of music despite the fact that my songs, 9/10ths of which I also write the music for, have sold over 50,000,000 records. What I’ve learned from watching marching bands on YouTube is that versions of the songs they play not only differ from the records but also differ from each other. So I’ll just be winging it. In front of 82,000 people. Here’s a video I found on YouTube when I decided I should see how big the band is. I almost had a heart attack when I saw this:

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I may not know where the band is going with my songs but one of my musical strengths has always been that I’m best creating spontaneously. Throw something at me and I can make immediate sense of it, like I can put a melody over chords the first time I hear them. So my plan is just to listen for what the band’s doing and react instantaneously. At least the hundreds of musicians in the band will be able to clearly see what I’m doing because I just got done attaching bicycle handlebar grips and glittering my batons or whatever you call those sticks conductors use to conduct with.

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I always have a lot of drumsticks and mallets on hand.

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All the plain drumsticks are missing because they’re going to the football game with me. Which brings me to the main reason why I’m so excited to conduct a marching band. First, I’m elated, of course, that they’re playing my songs. But even moreso, I love marching bands. And I especially love marching band drums. Not only do I have a vintage set as you can see in the photo at the top of this post but I have quite a few sets of them, including one we used in my current YouTube extravaganza, “Jungle Animal” by Pomplamoose and Allee Willis.

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“Jungle Animal” is by no means the first time I used marching band drums in one of my songs. In 1980 we used an entire marching band in “Street Beat”‘, a song I wrote with Toni Basil and Bruce Roberts and sung and danced brilliantly by Toni here in 1980:

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All of which is to say I’m pretty damn pumped about conducting the University of Wisconsin band. I’m a little concerned about falling off the conductor’s platform as from what I hear it’s just a few feet square, with no rails and 25 feet up in the air. I’m not one to be trusted not to move, between my natural proclivities to do so and the sheer psychologically altered state I’m sure I’ll be in in front of all those hundreds of musicians playing my own songs in my #1 favorite genre of music. I have no idea what I’ll attach myself to but I’m bringing extra strength bungee cords along to hook on to something so if I tumble I’ll just bounce. Knowing me, I’m pretty sure I can bounce in rhythm.

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Finally, after months of work and a whole lot else my song, video and game, “Jungle Animal” – Pomplamoose and Allee Willis launched TODAY!!  To cut to the chase:

VIDEO:http://www.youtube.com/watch?v=pQo8LMaeE8s

SONG:http://itunes.apple.com/us/album/jungle-animal/id392982313?i=392982319

GAME:https://www.alleewillis.com/music/pomplamoose/jungle-animal-player.php

I’m never as interested in just collaborating on music as I am in a full multi-layered collaboration where I get to use my visual and social interactive skills as well. Long gone are the days that I wish to club 3/4 of my brain dead so I can just remain in something as a music writer. “Jungle Animal” provided me with the opportunity to connect everything I do into one cohesive multimedia project, just the way I like it.

You can take a peek at the collaboration as I worked on the Jungle Animal music with Pomplamoose here. Keep scrolling down on that page and it chronicles the days we spent together in LA and in Northern California where they live. I did the animation and game technology on my own down here in LA.

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If you like what you see and hear, please email the links above to your friends, family, gardeners, mechanics and anyone else hovering in your spheres. There’s a lot going on in the jungle today!

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Because the opening line of my very first hit song, “September” by Earth, Wind & Fire, is “Do you remember the 21st night of September?” I constantly get asked the significance of that date, the very day it is TODAY.  People are always looking for some great meaning, especially those whose birthdays are today and to whom the song has held a special place. Sad to say, the only real significance is that that it felt so perfect to sing. Those three syllables – twen-ty-first –  hugged those notes tighter than an angora sweater and once that happens any good songwriter knows they need to just leave it alone because it works. What I’m most proud of achieving with my co-writers, Maurice White and Al McKay, is the transformative effect the song seems to have on people. I could be at a funeral and if “September” even came on as a ringtone most people’s lips would curl into a smile and their toes would automatically start to tap.  Beyoncé and Jay-Z even chose it to dance their first song to at their wedding. And that makes me very happy.

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Ever since the song was released at the tail end of 1978, September 21st has been a magic date for me. In the pre-email/text days when I used to check my phone, the messages would be filled with people singing me the song. Some of the singers were famous and the versions were killer. Sometimes it was my dentist or a friend from camp and the versions were terrible, just the way, as a lover of kitsch, I love them.

Through the years, the popularity of “September” seems to grow, so much so that the entire month of September has started to feel like a holiday to me, especially this year when it started with Earth, Wind & Fire playing “September” with a 70 piece orchestra and fireworks at The Hollywood Bowl. So, I’ve decided to honor this date that has given me so many gifts with a few gifts of my own:

• First, the release of my “Jungle Animal” video/song with Pomplamoose, a YouTube sensation band I contacted to work together after I saw their version of “September”, with over 2,000,000 views on YouTube. Now would be a good time to watch “Jungle Animal”:

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•  Second, the matching “Jungle Animal” music composition game I designed and that’s ready for your jungle playing pleasure right now at https://www.alleewillis.com/music/pomplamoose/jungle-animal-player.php

•  Third, in celebration of the one-year-to-the-day opening of my social network, The Allee Willis Museum of Kitsch at AWMOK.com, The Jungle Animal Petting Zoo is now open, featuring some of the most cheesy and brilliant jungle animal artifacts on the planet.

• And fourth, the launch of “The 365 Days of September”, where I’ll post one new version of “September” a day for a year from the thousands of insane versions of it on YouTube.

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And I JUST found out that September will continue into October for me as The University Of Wisconsin Marching Band will play my songs at the Homecoming football game on October 9th and I’ve been asked to conduct! As some of you know, UW is my alma mater. And I LOVE marching bands.  And even more pertinent  on the kitsch tip, despite the fact that I’ve sold over 50,000,000 records and counting, I still don’t know how to read a stitch of music. So I anticipate that conducting the band in front of 80,000 people is going to be one of the seminal kitsch moments of my life!

So to all of you on this September 21st I say thank you and wish you a big “Ba-de-ya!”. May you all have nothing but”golden dreams and shiny days”.

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For the last few months I’ve been holed away in the creative jungle known as my desk trying to complete a long-distance collaboration with Pomplamoose, the YouTube sensation band I collaborated with after I saw them do a highly unusual version of my song, “September”.  With “Jungle Animal”, a song and video we worked on together, as well as an online game that I whittled away at myself, theoretically just hours away from release, I thought that this off-kilter Atomic 1950’s zebra, knees buckling but still standing, was the perfect visual representation of what one feels like when they emerge from as intense of a workload as this.

Before this project, my connection to jungle animals was confined to those in my kitsch collection. Much more of a cat, dog or goldfish person, I certainly appreciated jungle animals but didn’t really come to love them as much until I had to stare at them over the last few months in order to do the artwork for the video and game.

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I even opened a Jungle Animal Petting Zoo at my social network, The Allee Willis Museum of Kitsch at AWMOK.com, so I would have more animals to study. I can see all the anatomically correct models I want with a Google search but I was more interested in how they’ve been interpreted via pop culture artifacts. For example, I learned a lot from this “dreamy tiger” submitted by aKitschionado Nessa.

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And staring at this slightly blurry rope lion submitted by omahamama……

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……provided for my interpretation of the king of the jungle:

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And God knows, I’ve been staring at this zebra for years.

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Long one of my favorite ceramics I’ve ever owned, this spectacularly Atomically tilted 1950’s zebra originally had a mate, a perfectly-tilted-the-other-way zebra. They really were the best set of jungle animals for my taste I’ve ever seen.  Both of them were quite heavy, filled with sand so they were sure not to fall off a shelf unless an earthquake of astronomical proportions hit. Unfortunately, that earthquake arrived in the person of someone I was interviewing to be my assistant who dropped the zebra carrying it to my car where I was about to leave to art direct some rock video. Needless to say, that was the end of the assistant, who I was much happier to lose than the zebra.

When it came to “Jungle Animal”, I stayed up for weeks painting.

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I actually did every inch of painting in the computer. I just thought this was a great excuse to show what paints looks like when the artist loves her work. It was also a great excuse to show this box:

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Perhaps if I spent less time growing up watching American Bandstand and more watching Jon Gnagy, the first television art instructor in the 1950’s and 60’s, I might have understood that despite the fact I think this looks dead-on like a real hippopotamus others might not.

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The person who designed my favorite zebra was definitely not thinking about interpreting an animal of perfect zebratude when he sculpted and painted this:

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Pound for pound, I think my zebra looks more like the real thing, though not as much as Jon Gnagy might have hoped for.

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I can’t tell you how many years I wasted not being an artist because I was so hung up that I couldn’t draw anything exactly as it was. It took me decades to realize that true art is all about personal style. It’s about having the balls to show your stripes.

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“Jungle Animal” was a very challenging collaboration for reasons I’ll one day be ready to talk about. But if there’s one thing I’ve learned from painting and animating all these jungle animals, not the least of which was inspired by this full tilt zebra who, despite all odds, continues to stand up straight, it’s that with integrity and perseverance one can not only survive in the jungle but thrive.

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(“Jungle Animal” is supposed to be up on YouTube at 1 AM tomorrow morning, the 21st of September. Ba-de-ya!)